Fiato continuo

Ensemble MusikFabrik
Fiato continuo

16,99 EUR
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CD
Wergo
Release date: 01/Sep/2005
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Sales Rank: #212093 in Other Pop
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Style: Other Pop
Product No.: 1987197611

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Content:

Details / Tracklist: MP3 Audio listen now for free 01. Bledsoe, Helen "Fiato Continuo I für Flöte und Tonband"
MP3 Audio listen now for free 02. Rosman, Carl "Fiato Continuo II für Bassklarinette und Tonband"
MP3 Audio listen now for free 03. Veale, Peter "Fiato Continuo III für Oboe und Tonband"
MP3 Audio listen now for free 04. Blaauw, Marco "Fiato Continuo IV für Trompete und Tonband"
MP3 Audio listen now for free 05. Poore, Melvyn "Fiato Continuo V für Tuba und Tonband"
Number of discs: 1
Extra-Infos: W/ Helen Bledsoe, Carl Rosman, Marco Blauuw
Description:It was Slavonic and on the Balkan cultivated folkloric music with it's often uneven measures and it's intonation and instrumentation partly dating back to pre-Christian times which offered New Music a structuring means as well as an up to then unknown innovative potential.The composer Bojidar Spassov (born 1949 in Sofia/Bulgaria) utilises in his cycle "Fiato continuo" for brass, woodwind and tape folkloristic instruments, intonation, rhythms and melodies to a certain extend as sound library. Out of this pool and with the addition of electro-acoustic tapes he generates completely new sound qualities, which in the end relate just as little to the material innovating New Music as to their folkloristic origin. In a lexical meaning it is free floating auras which encounter each other within the same time period and enter into a concert situation with each other and commensurate.In the five pieces Spassov equipoises the acting subject, the instrumental soloist and the composer who applies game theory with electro-acoustic means. Freed by electronic sounds of all heaviness and possibly also of all philosophic and historical pains, Spassov's music, often intonated at extremely high pitch, gives account of the very archaism, the very pre-cultural state of music for which immediacy contemporary instrumental and electronic composers struggle again and again. (Achim Heidenreich) Soloists of Ensemble Musikfabrik: Helen Bledsoe: flute / Carl Rosman: clarinet / Peter Veale: oboe / Marco Blaauw: trumpet / Melvyn Poore: bassoon.
Fiato Continuo I (1998) for flute and tape - One source of sound is a brief fragment from a shepherd's flute melody found in north Bulgarian folkloric tradition. Dedicated to Irmela Boßler. Fiato Continuo II (1998) for bass clarinet and tape - Source of sound: a bagpipe melody from the Bulgarian Rodope mountains. Fiato Continuo III (1999) for oboe and tape - source of sound: a zurna melody from southwest Bulgaria (northeast Macedonia). Dedictated to Peter Veale. Fiato Continuo IV (2001) for trumpet and tape - Source of sound: a dvojanka & an excerpt from "La cloche sans vallées". Dedictated to Marco Blaauw. Fiato Continuo V for tuba and live electronics - Sample: a Bulgarian round dance. Dedictated to Melvyn Poore. The pieces were produced with the software programs "Audio Sculpt","Pro Tools", "cSound", and "max-msp" and produced at ZKM in the studios of the Institute for Music and Acoustics. Herausgeber: ZKM | Institut für Musik und Akustik © + ? 2005 WERGO, a division of Schott Music & Media GmbH, Mainz, Germany Made in EU Manufactured and printed in Germany __________________ The series number does not appear on release Packaging: clear tray jewel case
No. of tracks: 5
Manufacturer No.: WER20602
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