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1.1 Nuit Sur Les Champs-Elysees (Take 1)1.2 Nuit Sur Les Champs-Elysees (Take 2)1.3 Nuit Sur Les Champs-Elysees (Take 3) (Generique)1.4 Nuit Sur Les Champs-Elysees (Take 4) (Florence Sur Les Champs-Elysees)1.5 Assassinat (Take 1) (Visite Du Vigile)1.6 Assassinat (Take 2) (Julien Dans L'ascenseur)1.7 Assassinat (Take 3) (L'assassinat de Carala)1.8 Motel (Diner Au Motel)1.9 Final (Take 1)1.10 Final (Take 2)1.11 Final (Take 3) (Chez Le Photographe Du Motel)1.12 Ascenseur (Evasion de Julien)1.13 Le Petit Bal (Take 1)1.14 Le Petit Bal (Take 2) (Au Bar Du Petit Bac)1.15 Sequence Voiture (Take 1)1.16 Sequence Voiture (Take 2) (Sur L'autoroute)1.17 Generique1.18 L'assassinat de Carala1.19 Sur L'autoroute1.20 Jullien Dans L'ascenseur1.21 Florence Sur Les Champs-Elysees1.22 Diner Au Motel1.23 Evasion de Julien1.24 Visite Du Vigile1.25 Au Bar Du Petit Bac1.26 Chez Le Photographe Du Motel |
 | | Number of discs: |
1 |
| | Description: | Enthält neue, speziell angefertigte Linernotes von PENGUIN GUIDE TO JAZZ's Autor BRIAN MORTON und vom renommierten Pariser JAZZ MAGAZIN.
MILES DAVIS, trumpet on all tracks, plus:
Side A: Film Soundtrack: Ascenseur pour lâ??échafaud
(Frantic/Lift to the Scaffold): BARNEY WILEN, tenor sax, RENÃ? URTREGER, piano, PIERRE MICHELOT, bass, KENNY CLARKE, drums, Paris, December 4 & 5, 1957.
Side B: The Miles Davis Sextet
JOHN COLTRANE, tenor sax, JULIAN â??CANNONBALLâ? ADDERLEY, alto sax, BILL EVANS, piano, PAUL CHAMBERS, bass, JIMMY COBB, drums
Original session produced by Teo Macero. New York, May 26, 1958.
Bonus Track: MILES DAVIS, trumpet; HORACE SILVER, piano; PERCY HEATH, bass; ART BLAKEY, drums. Hackensack, New Jersey, March 6, 1954. - Unavailable in the U.S.! Miles Davis' moody, evocative music for the Louis Malle movie (translation: The Lift to the Scaffold) comes in two different forms on this reissue. There is a chronological sketch pad of tracks which didn't appear in the original release, or appeared in altered form, and tracks 16-26, which comprise the body of the original release, complete with the odd dollop of post-production echo to italicize the film's dramatic content. Recorded on December 4-5, 1957, the music for the film has an elegant, romantic air to it. In the company of such French jazzmen as Pierre Michelot and tenor saxophonist Barney Wilen, this soundtrack is something of a throwback to the feel of Miles' early '50s Blue Note recordings with drummer Kenny Clarke. Rarely has Miles' open tone been more poignant, and that bittersweet quality probably owes something to Miles' ongoing affair with the film's leading lady, Jeanne Moreau.The complete "Ascenseur Pour L'Échafaud (Lift To The Scaffold)" recordings.
Original Soundtrack of the Louis Malle's movie.
This version has a blue/gold colored label
Recorded in Paris, December 4 & 5, 1957.
Tracks 1, 2, 9, 10, 13, 15: Previously unreleased / titres inédits jusqu'alors.
1 to 16 ? 1988 Phonogram S.A.
17 to 26 ? 1958 Phonogram S.A.
? 1988 Polygram Jazz
On CD's back the place of production is given as "CD is made in West Germany"
On CD variant 2 & 3 itself is etched: MADE IN GERMANY. If this is legally correct, the production date of these variants should have been after October 3,1990, the signing of the unification treaty between FRG and GDR (BRD and DDR).
16-page booklet
Mistyping of composer's first name on CD's back: 'All compositions by Mile Davis'"Ascenseur Pour L'Echafaud" is a legendary jazz album by Miles Davis, released as the soundtrack for Louis Malle?s 1958 film of the same name. This CD edition from Polydor captures Davis at his most innovative, improvising much of the music in real time while watching scenes from the movie. The result is an atmospheric and haunting score that not only elevated the film but also became a milestone in modern jazz history. Miles Davis, one of the most influential trumpeters and composers in jazz, has shaped genres with albums like "Kind of Blue," "Bitches Brew," and "Sketches of Spain." His groundbreaking approach to improvisation and collaboration set new standards for musicians worldwide. Polydor, renowned for its high-quality releases across various genres, ensures this classic recording receives exceptional audio fidelity and packaging. | | | Producer: |
Jean Thuillier |
| | No. of tracks: |
26 |
| | Manufacturer No.: |
8363052 |
| Product Safety
Responsible Person for the EU:
Universal International Music B.V.
s-Gravelandseweg 80, 1217 EW Hilversum, NL
productsafety@umusic.com | |
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