In on the Killtaker

Fugazi
In on the Killtaker

27,89 EUR
LP
Dischord
Date de sortie: 02/01/1996
Les frais d'expédition sont minimisés.
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Livraison à US pendant: 5-9 jours ouvrable (seulement 5 pièces en stock)
Classement parmi les ventes: N° 8728 en Punk international
N° 184029 en Rock
Style: Punk international
No d'article.: 1987217463

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Accessoires

Content:

Remarque / Liste des chansons: 01. "Facet squared"
02. "Public witness program"
03. "Returning the screw"
04. "Smallpox champion"
05. "Rend It"
06. "23 beats off"
07. "Sweet and low"
08. "Cassavetes"
09. "Great cop"
10. "Walken's syndrome"
11. "Instrument"
12. "Last chance for a slow dance"
Nombre de disques: 1
Informations supplémentaires: .. Kill Taker
Description:In on the Kill Taker is like scrubbing your face with steel wool. It finds the band relying on rusty guitar shards that scrape, seethe, and hiss, further removing itself from the sound of 13 Songs and Repeater. Harsh and grating, Fugazi surprisingly produces sheer noise at times, best witnessed in the lengthy closing of "23 Beats Off" and the unintentional Gremlins homage that opens "Walken's Syndrome." Joe Lally's bass and Brendan Canty's drums are relegated to acting as a guide; they're pushed - but not squashed - down in the mix, allowing for Ian MacKaye and Guy Picciotto's guitars to take control, corrosively so. It's probably Fugazi's least digestible record from front to back, but each track has it's own attractive qualities, even if not immediately perceptible. "Facet Squared" and "Public Witness Program" open the record furiously, but the majority of the following "Return the Screw" is hardly audible, aside from occasional vocal tantrums. A good amount of time is spent alternating between low-key guitar noodling and intrusive bursts of aggression. They're smart with their sequencing, placing the gentle instrumental "Sweet and Low" (the only track where Lally plays a prominent role) after the exhaustive cacophony of "23 Beats Off," and generally piecing together a set of rather diverse tracks that flows well. Picciotto's anti-Hollywood rant on the properly titled "Cassavetes" is a classic Fugazi moment, as is his similarly name-dropping "Walken's Syndrome." Buried at the end of the record are two excellent lurchers, MacKaye's "Instrument" and Picciotto's "Last Chance for a Slow Dance." Not Fugazi's finest hour, but one of it's most daring and rewarding., Runningtime: 00:00:00, Cover [Cover Mechanic]: Jason Farrell, Engineer: Don Zientara, Graphics [Graphics Assemblage], Design Concept [Graphic Concept]: Jem Cohen, Lacquer Cut By [Recut For Vinyl By]: Robert Weston, Performer [Fugazi Is]: Brendan Canty, Performer [Fugazi Is]: Guy Picciotto, Performer [Fugazi Is]: Ian MacKaye, Performer [Fugazi Is]: Joe Lally, Photography By [Band Photo]: The Spectra System, Producer: Fugazi, Producer: Ted Niceley, Remastered By: Chad Clark, Text By [Texts Supplied By]: Jem Cohen, Text By [Texts Supplied By]: Jeremy Blake (2), Labelcode DCH70.1 (dis70v), Recorded At Inner Ear Studios, Lacquer Cut At Chicago Mastering Service, Pressed By United Record Pressing
Producteur: Fugazi, Ted Niceley
N° de titres: 12
N° de fabricant: 00057863
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