 Tal Rosenberg - 2009年 06月 24日  On One Word Extinguisher, Prefuse 73 would frequently flaunt his impeccable timing as a means of enchantment-like when the ricochet beatboxing on "Bus...
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Shawn Reynaldo - 2009年 06月 01日  In the lightning-quick world of music, it’s easy to forget about an artist like Guillermo Scott Herren (a.k.a. Prefuse 73). Although the man has been ...
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| Patrick Burns - 2009年 05月 22日 Sometimes artists are so prolific it's frightening. Guillermo Scott Herren (a.k.a. Prefuse 73) will release three albums and an EP in a six-week span ...
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| Jeff Terich - 2009年 05月 12日 Guillermo Scott Herren has always lent a certain otherworldly quality to his choppy, fluid, hip-hop odysseys. As Prefuse 73, he injects organic melodi...
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| Jake O'Connell - 2009年 05月 06日 Guillermo Scott Herren?s side projects each bare out his multifaceted approach to composition. Savath & Savalas studies in Catalan folk. Piano Overlor...
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| Chet Betz - 2009年 05月 04日 I once did an ill-advised/lazy review of a Count Bass D record where I just wrote my initial reactions to the tracks as I gave the album a play-throug...
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| Filmore Mescalito Holmes - 2009年 04月 30日 “The more things change, the more they remain the same.”—Jean-Baptiste Alphonse KarrIt is not easy staying on the cutting edge. When you are credited ...
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| Swanderfish - 2009年 04月 28日 Everything She Touched Turned Ampexian, Prefuse 73’s fifth full-length, is most notable for both its brevity (most of the tracks clock in around a min...
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| Jess Harvell - 2009年 04月 27日 Guillermo Scott Herren has become a model of 21st-century post-techno productivity, if not necessarily consistency. Qualitatively, that is; there are ...
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| Christian Cottingham - 2009年 04月 20日 Ever since the release of 2001’s Vocal Studies and Uprock Narratives, the half-lit recesses of music forums have frothed with contention as to whether...
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