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| Comentarios / Titulos de las canciónes: |
 01. "Blue Blood" 02. "Miami" 03. "Total Life Forever" 04. "Black Gold" 05. "Spanish Sahara" 06. "This Orient" 07. "Fugue" 08. "After Glow" 09. "Alabaster" 10. "2 Trees" 11. "What Remains"
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| | Descripción: | Runningtime: 00:00:00, Art Direction: Foals, Artwork [Art Working]: Big Active, Artwork [Imagery]: Foals, Artwork [Imagery]: Tinhead, Engineer [Assistants At S.G.S.]: Anton Thoursie, Engineer [Assistants At S.G.S.]: Caroline Wickberg, Engineer [Assistants At S.G.S.]: Kalle Gustafsson Jerneholm, Engineer [Assistants At S.G.S.]: Mattias Nyberg, Engineer, Programmed By: Ferg Peterkin, Mastered By: Stephen Marcussen, Mixed By: Alan Moulder, Mixed By [Mix Engineer]: Catherine Marks, Photography By [Band Photo]: Steve Gullick, Photography By [Instruments & Hong Kong Photos]: Dave Ma, Producer: Luke Smith (3), Written-By: Foals, Recorded By [Additional], Producer [Additional]: Mike Crossey, Vocals [Additional]: Caroline Wickberg, Engineer: Daniel Rejmer, Producer, Recorded By: Luke Smith (3), Recorded By [Additional], Producer [Additional]: Mike Crossey, Vocals [Additional]: Caroline Wickberg, Labelcode IMT1636541.2 (5051865913726, 5051865913726), Phonographic Copyright (p) Warner Music UK Ltd., Copyright (c) Warner Music UK Ltd., Record Company Warner Music Group, Published By Universal Music Publishing Ltd., Recorded At Svenska Grammofonstudion, Recorded At Assault And Battery Studios, Mixed At Assault And Battery Studios, Recorded At Motor Museum, Produced At Motor Museum, Mastered At Marcussen Mastering, Pressed By Cinram GmbH | | | N° de fabricante: |
505186591372 |
| Seguridad del producto
Persona responsable para la UE:
Warner Music
Warner Music Group Germany Holding GmbH
Alter Wandrahm 14, 20457 Hamburg, DE
anfrage@warnermusic.com | |
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 Sean O'Neal - 21/12/2010  Oxford’s Foals arrived at the tail end of the dance-rock soirée with 2008’s Antidotes, a simply okay record that nevertheless garnered lots of attenti...
|  | Brian - 24/09/2010  Foals' hit debut, Antidotes was best characterized by a marked, hybridized method of indie, math and dance-punk styles. It was enlivening, anthemic an...
| | | Tom Clinch - 13/09/2010 After resounding performances at Reading and Leeds and a debut album that was received as well as a long lost child to a mothers arms, Foals have take...
| | | Per Vissers - 20/08/2010 While some claimed the album lacked depth, Foals’ critically-acclaimed debut album Antidotes was a huge success in the global indie scene. Afro-pop in...
| | | Jordan Bimm - 29/07/2010 Having been let down so many times by promising indie bands that trip up on album number two (cough, cough, the Strokes, Bloc Party), I now approach s...
| | | David M. Goldstein - 17/07/2010 Foals’s early singles suggested a mathematically precise version of the Rapture with a British drill sergeant on vocals; songs like “Cassius” and “Bal...
| | | Erin Clandaniel - 09/07/2010 In an indie-rock music scene that's arguably overloaded with Brit rock and bands named after animals, one would think that British five-piece Foals (w...
| | | Todd Totale - 05/07/2010 It?s going to take a few spins to appreciate Foals? muse—for the first few plays of their second release, I put it in the increasingly growing categor...
| | | Ryan Pratt - 04/07/2010 Antidotes in full and, as it turns out, I don’t need to. For all intents and purposes of this review, that 2008 record may as well not exist since I’...
| | | Jamie O'Meara - 01/07/2010 It's like there are two bands fighting to come out on top of Oxford five-piece Foal's sophomore album. The group's self-described "tropical prog" funk...
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