"State Of Euphoria" es el cuarto álbum de estudio del legendario grupo estadounidense de thrash metal Anthrax y fue lanzado en 1988. Esta edición en formato CD captura toda la energía cruda e innovación sonora que definieron el final de los años ochenta dentro del género metálico mundialmente reconocido por su potencia y creatividad musical sin límites; incluye temas destacados como ?Antisocial?, ?Be All End All? o ?Finale?, donde se aprecia claramente esa combinación característica entre riffs agresivos y melodías pegajosas junto con letras cargadas de crítica social propia del estilo único desarrollado por esta banda neoyorquina pionera integrante del famoso Big Four (junto a Metallica o Slayer). Su influencia ha trascendido incluso al ámbito cultural general gracias a colaboraciones con artistas diversos fuera del entorno estrictamente metálico tradicional! El sello discográfico responsable es Island Records: una compañía reconocida internacionalmente por su catálogo variado abarcando desde rock hasta reggae garantizando siempre máxima calidad tanto sonora como visual para coleccionistas exigentes y nuevos seguidores por igual.
The fourth album from one of the best American thrash metal bands! Great speed thrash metal, a classic of the genre!
Muamer Š. - 04/07/2020
Anthrax best album,masterpiece of metal,very good artwork
HYUNG RAE K. - 13/04/2020
This is 4th anthrax studio album and released at 1988. Antisocial and be all end all , now it's dark is my favorite songs.
Alexander S. - 07/08/2019
It is difficult to say why Euphoria is not so popular among the people. Probably because she stood, and still stands in the shadow of the masterpiece Among The Living (1987), partly because she did not offer anything fundamentally new, being more likely a bridge between the already mentioned Among The Living and Persistance Of Time (1990). And there’s nothing to complain about in musical terms: it’s a natural Anthrax of the “era of Beladonna,” at the top all members of the group, even Deniska Spichkin, played quite good solos. The pecking Inertia of Time is indeed tapped in some places.
Taksta bite, as expected. The topics concern almost existential philosophy, when you have to fight to the last, even if it seems that this makes no sense, "and death is not suicide"; conformism and television preachers; spitting towards yuppies (Antisocial - concert anthem of the "era of Beladonna"); "Invisible" of our cities - homeless people; neurosis and racism; the pressure that people of art are under ... There are really few hits: besides Be All End All, Make Me Laugh, Antisocial, Who Cares Wins, there’s nothing to be called. Therefore, it turns out that the album is a good-quality Anthrax, but that's about it, in general.