Disc 01 01. "Song for Jesse ("The Assasination of Jesse James by the Coward Robert Ford")"
02. "Moving on ("The Assasination of Jesse James by the Coward Robert Ford")"
03. "What must be done ("The Assasination of Jesse James by the Coward Robert Ford")"
04. "Song for Bob ("The Assasination of Jesse James by the Coward Robert Ford")"
05. "Happy land ("The Proposition")"
06. "The proposition #1 ("The Proposition")"
07. "Road to Banyon ("The Proposition")"
08. "The rider #2 ("The Proposition")"
09. "Martha's dream ("The Proposition")"
10. "Gun thing ("The Proposition")"
11. "The rider song ("The Proposition")"
12. "The road ("The Road")"
13. "The mother ("The Road")"
14. "The father ("The Road")"
15. "The beach ("The Road")"
16. "The journey ("The Road")"
17. "The boy ("The Road")"
Disc 02 01. "Srey leak ("Phnom Penh")"
02. "Me nea ("Phnom Penh")"
03. "Rom ("Phnom Penh")"
04. "Halo ("The Vaults")"
05. "Zanstra ("The Vaults")"
06. "Black silk (Suture) ("The English Surgeon")"
07. "Brain retractor ("The English Surgeon")"
08. "Dandy brain cannula ("The English Surgeon")"
09. "Rat's tooth forceps ("The English Surgeon")"
10. "Kerrison's punch ("The English Surgeon")"
11. "Micro sucker ("The English Surgeon")"
12. "Window ("Phnom Penh")"
13. "Daedalus ("The Vaults")"
14. "Magma ("The Vaults")"
15. "Cheata ("Phnom Penh")"
16. "Sorya market ("Phnom Penh")"
Number of discs:
2
Regioncode:
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Nick Cave and Warren Ellis have been creating music together for more than fifteen years, with The Bad Seeds, Grinderman and The Dirty Three. They have also collaborated on soundtracks for a number of films. Originally released in 2009 through Mute Records, “White Lunar” is a two-disc, over 100-minute compilation containing music that Cave and Ellis composed for the movies and documentaries – “The Proposition” (2005), “The Assassination of Jesse James by the Coward Robert Ford” (2007), “The English Surgeon” (2007), “The Road” (2009), and “The Girls of Phnom Penh” (2009), along with a selection of their rare and previously unavailable archival cinematic scores. There is no any particular concept but the music flows naturally and elegantly dominated by sparse Cave’s piano and Ellis' violin playing. It can turn on aerial and dreamy, or intense and even threatening… there are also a couple of vocal tracks – but the content always remains amazingly picturesque while Cave and Ellis need no words to develop a very specific timeless aura through the album. The correlation between all album pieces is very strong, and “White Lunar” is perceived more as a grandiose cinematic act than an accidental collection of fragmented pieces recorded on different occasions. This is a must have for all lovers of Cinematic, Modern Creative, Contemporary Chamber, and Unclassified Music!