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33,95 EUR 28,29 EUR
(1kg = 51,16 EUR)
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Book/ Buch
Naxos
veröffentlicht: 15.07.2003 |
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| 16 Besucher
sehen sich das Produkt an |
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| Lieferung nach US in: |
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5-9 Werktagen (nur noch 5 Stück auf Lager) |
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| Sales Rank: |
Nr. 331 in Sonstige Spiele
Nr. 775 in Konsole/PC Spiele |
| | Stil: |
Sonstige Spiele |
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| Artikel Nr.: |
1987263766 |
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| Bemerkungen / Titelliste: |
Disc 01
 01. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Introduction, background and perspective" 02. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A gentle, other-worldly start" 03. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Music as mosaic" 04. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Two functions of metrical change: going with the flow..." 05. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): ...or disrupting it: a sample of metrical violence" 06. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A stealthy entry (clarinets)" 07. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Detour: the destabilising properties of chromaticism" 08. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): On melodies, themes and motifs" 09. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): The new cor anglais motif dominates" 10. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): The oboe's rhythmic motif takes over" 11. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A primeval awakening" 12. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A panoply of Stravinskyan birdsong" 13. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): A matter of mode" 14. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Cue to Introduction" 15. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Introduction (complete)" 16. "Classics Explained: STRAVINSKY - The Rite of Spring (Siepmann): Part I: The Adoration of the Earth: The Augurs of Spring" 17. "Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The great arrival: bitonality" 18. "Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: Putting the boot in: a metrical mu" 19. "Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The prevalence of ostinatos, and a" 20. "Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: Metre restores (briefly) but the '" 21. "Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The musical savages routed" 22. "Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: An important new arrival (the 'hor" 23. "Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: Another new theme from the horns" 24. "Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: A crowded conclusion" 25. "Part I: The Adoration of the Earth: Ritual of Abduction: A real study in contrasts" 26. "Part I: The Adoration of the Earth: Ritual of Abduction: Panic and pandemonium as timpani open fire" 27. "Part I: The Adoration of the Earth: Ritual of Abduction: Climactic melee haunted by 'fear motif'" 28. "Part I: The Adoration of the Earth: Spring Rounds: Suddenly another world, as flutes hover over harmonic vapour..." 29. "Part I: The Adoration of the Earth: Spring Rounds: ...but a transient one: new movement arises from the deep" 30. "Part I: The Adoration of the Earth: Spring Rounds: 'Dragging feet motif' over ostinato violins, twice interrupted" 31. "Part I: The Adoration of the Earth: Spring Rounds: 'Marching motif' developed further by flutes and horns" 32. "Part I: The Adoration of the Earth: Spring Rounds: A trilling commentary from piccolo and high clarinet" 33. "Part I: The Adoration of the Earth: Spring Rounds: 'Marching motif' theme goes polymetric in huge crescendo" 34. "Part I: The Adoration of the Earth: Spring Rounds: An unexpected change of pace as tempo doubles" 35. "Part I: The Adoration of the Earth: Spring Rounds: And an unexpected reversion, to a quiet close" 36. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Violent onslaught from brass and timpani launches the 'R" 37. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Rival Tribes, rival motifs" 38. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Sensational violence comes close to chaos" 39. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: Effects, impressions and alteration" 40. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: A surprise re-entry and a change of instrumental clothin" 41. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: A thinning of texture, a new idea, and a rude interrupti" 42. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: The new idea developed: a minor earthquake" 43. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: The use of tone colour as an agent of rhythm" 44. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: An unusual climax..." 45. "Part I: The Adoration of the Earth: Ritual of the Rival Tribes: ...and a sinister transition" 46. "Part I: The Adoration of the Earth: Procession of the Sage: Across the threshold into an instrumental population explosi" 47. "Part I: The Adoration of the Earth: Procession of the Sage: A sudden silence and then another world" 48. "Part I: The Adoration of the Earth: Procession of the Sage: Catapulted into the 'Dance of the Earth'" 49. "Part I: The Adoration of the Earth: Dance of the Earth: Tiny changes, unyielding ostinatos, massive tension" 50. "Part I: The Adoration of the Earth: Dance of the Earth: Cue to Part I complete"
Disc 02
01. "Part II: The Sacrifice: Introduction: Again a muted, subtly coloured start" 02. "Part II: The Sacrifice: Introduction: Tone colour as atmosphere - the strings' motif" 03. "Part II: The Sacrifice: Introduction: Four solo violas, above gently rocking strings" 04. "Part II: The Sacrifice: Introduction: A pregnant pause, and a new motif in muted trumpets" 05. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Motif from the Introduction varied and extended" 06. "Part II: The Sacrifice: Mystic Circles of the Young Girls: New motif, heralded by clarinets and violins, is introduced b" 07. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Variant of Motif No. 2 given out by two clarinets" 08. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Continued by oboes and bassoons" 09. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Main motifs yield to new idea from flutes" 10. "Part II: The Sacrifice: Mystic Circles of the Young Girls: All change - direction, tone colour, metre - and two new osti" 11. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Motif No. 1 returns in horn, then passed to flutes and string" 12. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Texture, balance and tone colour keep changing" 13. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Instrumental enrichment, new counterpoint and a bleat of alar" 14. "Part II: The Sacrifice: Mystic Circles of the Young Girls: New derivative of Motif No. 2, a host of new sounds - and aga" 15. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Into the finishing stretch, and we know we're in for somethin" 16. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Putting the movement back together again" 17. "Part II: The Sacrifice: Mystic Circles of the Young Girls: Mystic Circles of the Young Girls (complete)" 18. "Part II: The Sacrifice: Glorification of the Chosen One: On into one of the most sensational movements ever written" 19. "Part II: The Sacrifice: Glorification of the Chosen One: The violence is almost graphic. An example of musical terrorism" 20. "Part II: The Sacrifice: Glorification of the Chosen One: Motif No. 2: a terrible, off-beat com-pah from strings, horns a" 21. "Part II: The Sacrifice: Glorification of the Chosen One: The air is filled with the fearsome baying of wind and violins" 22. "Part II: The Sacrifice: Glorification of the Chosen One: A variant of Motif No. 2, but now descending" 23. "Part II: The Sacrifice: Glorification of the Chosen One: A study in the bruality of suspense - a musical mugging" 24. "Part II: The Sacrifice: Glorification of the Chosen One: The middle section begins with a massive but unequal confrontat" 25. "Part II: The Sacrifice: Glorification of the Chosen One: Against the odds, the 'descending motif' comes out on top" 26. "Part II: The Sacrifice: Glorification of the Chosen One: In the midst of the fray, a new 'rising motif' emerges..." 27. "Part II: The Sacrifice: Glorification of the Chosen One: ...and undergoes a typcially Stravinskyan expansion and compres" 28. "Part II: The Sacrifice: Glorification of the Chosen One: A much-needed breath before the movement entire" 29. "Part II: The Sacrifice: Glorification of the Chosen One: Glorification of the Chosen One (complete)" 30. "Part II: The Sacrifice: Evocation of the Ancestors: The next movement consists of a single, chordal motif, three times v" 31. "Part II: The Sacrifice: Evocation of the Ancestors: The second statement: breaking the metrical flow"
33. "Part II: The Sacrifice: Ritual Action of the Ancestors: A counterpoint of ostinatos lends continuity to changing time si"
34. "Part II: The Sacrifice: Ritual Action of the Ancestors: Horns introduce the first real motif, destabilised by multiple m"
35. "Part II: The Sacrifice: Ritual Action of the Ancestors: The motif disappears, though the background ostinato continues"
36. "Part II: The Sacrifice: Ritual Action of the Ancestors: A change of mood, then the whole orchestra crashes in"
37. "Part II: The Sacrifice: Ritual Action of the Ancestors: The steady pulse gives way to a tossed salad of one-bar motifs"
38. "Part II: The Sacrifice: Ritual Action of the Ancestors: Lately abandoned, the steady pulse returns, as does the 'trumpet"
39. "Part II: The Sacrifice: Ritual Action of the Ancestors: The movement ends with a varied reprise of the opening"
40. "Part II: The Sacrifice: Ritual Action of the Ancestors: Evocation of the Ancestors (complete) and Ritual Action of the A"
41. "Part II: The Sacrifice: Sacrificial Dance: The last movement is based on two motifs, the first most motable for its rhyt"
42. "Part II: The Sacrifice: Sacrificial Dance: The second motif is likewise predominatly rhythmical in effect"
43. "Part II: The Sacrifice: Sacrificial Dance: Two variants: one a rhythmic simplification, the other an expansion"
44. "Part II: The Sacrifice: Sacrificial Dance: A new section, again with two main motifs, the first from wind and strings"
45. "Part II: The Sacrifice: Sacrificial Dance: This is joined by another bried but very striking motif from muted brass"
46. "Part II: The Sacrifice: Sacrificial Dance: Tension dramatically increased by a violent interruption from timpani and gon"
47. "Part II: The Sacrifice: Sacrificial Dance: Motif No. 2 is passed from bassoons to high wind and trumpets..."
48. "Part II: The Sacrifice: Sacrificial Dance: ...and is twice interrupted by horns"
49. "Part II: The Sacrifice: Sacrificial Dance: Motif No. 1 erupts in full orchestra, then all hell breaks loose"
50. "Part II: The Sacrifice: Sacrificial Dance: New ostinato, over implacable repetitions of Motif No. 1, offset by clarinets"
51. "Part II: The Sacrifice: Sacrificial Dance: A new section, kick-started by percussion: timpani, bass drum and gong"
52. "Part II: The Sacrifice: Sacrificial Dance: Horns, doubled by strings, introduce the main idea of this new section"
53. "Part II: The Sacrifice: Sacrificial Dance: The return of the movement's opening section - or so we may think"
54. "Part II: The Sacrifice: Sacrificial Dance: Dramatic compression of now-familiar material"
55. "Part II: The Sacrifice: Sacrificial Dance: A terrifying cocktail of motifs old and new confounds expectations..."
56. "Part II: The Sacrifice: Sacrificial Dance: ...and leads to the coda, the final flourish of the whole work"
57. "Part II: The Sacrifice: Sacrificial Dance: Cue to all of Part II and end of CD"
58. "Part II (complete)"
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| | Extra-Infos: |
Narrated By Jeremy Siepmann |
| | Anzahl der Titel: |
1 |
| | Herstellernummer: |
8558085-86 |
| Details zur Produktsicherheit
Verantwortliche Person für die EU:
NAXOS RIGHTS (EUROPE) LTD
41-51 Brighton Road, Surrey RH1 6YS Redhill, UK
info@naxos.com | |
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