Lee Hazlewood -Its Cause And Cure -LIGHT IN THE ATTIC / CARGO CD Grooves.land/Playthek

Details / Tracklist:

01. "The Girls In Paris"
02. "Jos?"
03. "The Old Man And His Guitar"
04. "The nights"
05. "I am a part"
06. "Home (I'm Home)"
07. "After six"
08. "Suzi Jane Is Back In Town"
09. "In our time"
10. "Dark in my heart"
11. "Lee Hazlewood's Woodchucks Frenesi (Bonus Track)"
12. "Lee Hazlewood's Woodchucks Muchacho (Bonus Track)"
13. "Lee Hazlewood's Woodchucks Batman (Bonus Track)"

Number of discs:

Extra-Infos:

2nd Of His Mgm Trilogy

Description:

Its Cause And Cure by Lee Hazlewood, released 26 November 2015, includes the following tracks: "The Old Man And His Guitar", "I Am A Part", "After Six", "In Our Time" and more. This version of Its Cause And Cure comes as a 1xCD. - 2ND OF HIS MGM TRILOGY

Album remastered from the original tapes with bonus tracks. Liner notes booklet with exclusive interviews and archive photos. The mid-to-late '60s were strange days for Lee Hazlewood. Having struck gold as songwriter and vocal foil for Nancy Sinatra, he signed up to MGM as an artist in his own right, and between 1966 and 1968, produced three ambitious solo albums that were eclectic, idiosyncratic, and most of all, unpredictable. It was a happy time for Lee; his music was hot on the charts, he was fully immersed in his collaboration with his muse, Suzi Jane Hokom. The second of his MGM trilogy-1967's peculiarly named Lee Hazlewoodism: It's Cause And Cure-took on countrified French ye-ye ("The Girls In Paris"), a tale of a young bullfighter built on Spanish guitar and choral cowboys ("Jose"), a string-drenched song about the passing of time ("The Old Man And His Guitar"), and a western epic about a Native American tribe ("The Nights"). And that was just the first four tracks. Elsewhere, the honky tonk madness of "Suzi Jane Is Back In Town," the Byrds-like jangle of "In Our Time" and-in the bonus tracks-an instrumental named "Batman" confirm this to be one of Hazlewood's most far-ranging, far-out LPs ever. It's the result of two main factors: ambition-to top Phil Spector, primarily-and cash, which paid for orchestras, plush studios, and the inestimable talents of arranger Billy Strange. "I think the big sound of those records came out of the Spector thing," says Hokom, in the new liner notes. "If you can have a big sound and you have money to burn... it was a flamboyancy."

No. of tracks:

Manufacturer No.:

00090718

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