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| 详情/曲目清单： |
 01. "Folklore" 02. "London Plane" 03. "Along The Ridgeway" 04. "Salisbury Giant" 05. "The Transit Of Venus Across The Sun" 06. "Wassail" 07. "Winkie" 08. "Brooklands" 09. "Telling The Bees"
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| | 光盘数量： |
1 |
| | 语言 |
(DE) |
| | 区域代码： |
0 那是什么？
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| | 描述： | Acoustic Guitar, Mandolin, Keyboards, Backing Vocals: Andy Poole, Arranged By: Big Big Train, Arranged By [Brass Arrangements By]: Dave Desmond (2), Bass Guitar, Pedalboard [Bass Pedals], Acoustic Guitar, Backing Vocals: Greg Spawton, Design [Cover And Booklet Design]: Andy Poole, Drums, Percussion, Backing Vocals: Nick D'Virgilio, Engineer [Uncredited]: Patrick Phillips, Guest [With], Cello: Evie Anderson, Guest [With], Euphonium: John Storey (3), Guest [With], French Horn: Nick Stones (2), Guest [With], Trombone: Dave Desmond (2), Guest [With], Trumpet, Cornet: Ben Godfrey (2), Guest [With], Tuba: Jonathan Truscott (2), Guest [With], Viola: Keith Hobday, Guest [With], Violin: Lucy Curnow, Guitar [Guitars]: Dave Gregory, Guitar [Guitars], Keyboards, Accordion, Backing Vocals: Rikard Sjöblom, Keyboards, Double Bass: Danny Manners, Lead Vocals, Backing Vocals, Flute, Acoustic Guitar, Mandolin, Percussion: David Longdon, Mixed By, Mastered By: Rob Aubrey, Painting [Cover And Booklet Painting]: Sarah Louise Ewing, Photography By [Photographs]: Simon Hogg (2), Producer: Big Big Train, Recorded By [Drums And Brass At Real World Studios]: Rob Aubrey, Recorded By [Drums At Sweetwater Studios]: Mark Hornsby, Recorded By [Strings Recorded At Ashwood Studios]: Sotos Yiasimi, Recorded By [Vocals And Double Bass At Aubitt Studios]: Rob Aubrey, Violin, Viola, Cello, Backing Vocals: Rachel Hall (3), Words By, Music By: David Longdon, Words By, Music By: Greg Spawton, Arranged By [Brass Arrangements With]: David Longdon, Arranged By [String Arrangements By]: Rachel Hall (3), Arranged By [String Arrangements With]: David Longdon, Arranged By [String Arrangements By]: Rachel Hall (3), Arranged By [String Arrangements With]: Danny Manners, Arranged By [String Arrangements With]: Greg Spawton, Arranged By [String Arrangements By]: Rachel Hall (3), Arranged By [String Arrangements With]: Danny Manners, Arranged By [String Arrangements With]: Greg Spawton, Arranged By [Brass Arrangements With]: David Longdon, Arranged By [String Arrangements By]: Rachel Hall (3), Arranged By [String Arrangements With]: David Longdon, Arranged By [String Arrangements By]: Rachel Hall (3), Arranged By [String Arrangements With]: Danny Manners, Arranged By [String Arrangements With]: David Longdon, Labelcode IMT3332253.2 (EERCD0016, GEPCD1049), Recorded At English Electric Studios, Bournemouth, Recorded At Aubitt Studios, Recorded At Real World Studios, Recorded At Sweetwater Studios, Recorded At Ashwood Studios, Mixed At Aubitt Studios, Mastered At Aubitt Studios, Glass Mastered At Sony DADC, Southwater | | | No. of tracks: |
9 |
| | Manufacturer No.: |
GEP 1049 |
| 产品安全
欧盟负责人:
Q-Rious Music
Neue Maastrichter Str. 12-14, 50672 Köln, DE
info@qrious.de | |
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 HYUNG RAE K. - 2021年 12月 11日  Big Big Train is possibly the most interesting progrock-group since Genesis. All of their albums are outstanding musical achievements, with Folklore as perhaps their best ever.
|  | Alexander S. - 2020年 06月 21日  The recording, as before, was attended by a large string-wind ensemble (all natural, no substitutes!). Here, too, there is a lot of splin, and grace, and arrangement subtleties, and delicate melodies, although the album is nevertheless tailored more “in combat”, as if according to some hit patterns. It is understandable - folklore is by definition a simpler, more root thing, close to everyone and everyone. Despite the fact that there is no folk in its purest form - Big Big Train did not engage in processing or stylization. But, inspired by the melodies of their native land, the group, in a slightly more obvious form than before, weaves their echoes into its musical fabric. The most obvious example is the title thing, actually “Folklore”, which was decided as a peasant march with vocalist’s decisive tunes, choir “answers” and perky instrumental rituals (in the video for this song both old and young are walking along the country road behind the Longdon flute player - an allusion to the Hameln Pied Piper is obvious, even if this legend is German). The second composition from the same series is the spirit of Jethro Tull “Wassail” (released on EP in 2015), based on a warlike quasi-folk melody, and, again, calls with the “choir” and hammond. The rest is a neo-prog reflection characteristic of the Big Big Train, beautiful lyrics richly flavored with English place names (“London Plane”, “Along The Ridgeway”, “Salisbury Giant”), the noble wind choir in “The Transit Of Venus Across The Sun” and long cinematic "epics" - the influence of folklore in them is no more than usual. The album ends with the ballad “Telling The Bees”, in which a fragment from “Flight of the Bumblebee” suddenly flashes - a trifle, but nice! In general, it’s a strong album, although English Electric, especially the first part of it, perhaps, will not overturn on a bend.
| | | Evripidis T. - 2017年 10月 29日 Big Big train continue their prog rock journey with a great album that creates images of the English rural area!
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18-22 工作日 (已订购)
