| Nombre de disques: |
2 |
 | | Informations supplémentaires: |
.. To Come Back/ / 180gr. |
| | Description: | Alto Saxophone: Steve Hamilton, Cornet, Flugelhorn: Paul Spong, Engineer: Jim Lowe, Engineer [Pro-tools Engineer]: Steve McNichol, Lacquer Cut By: Dan Smith (14), Mastered By: Chris Blair, Mixed By: Jack Joseph Puig, Mixed By: Jim Lowe, Recorded By [Assistant]: Andy Davies, Recorded By [Assistant]: Chris Bolster, Strings: Anthony Pleeth, Strings: Ben Chappell, Strings: Boguslaw Kostecki, Strings: Bruce White, Strings: Chris Tombling, Strings: David Daniels, Strings: Gavyn Wright, Strings: Gustav Clarkson, Strings: Julian Leaper, Strings: Katherine Shave, Strings: Mark Berrow, Strings: Mary Scully, Strings: Naomi Wright, Strings: Patrick Kiernan, Strings: Patrick Lannigan, Strings: Perry Montague-Mason, Strings: Peter Lale, Strings: Rachel Bolt, Strings: Rita Manning, Strings [Arranged With]: Chris Cameron, Tenor Saxophone: Andy Hamilton (7), Trombone: Neil Sidwell, Trumpet: Sid Gauld, Written-By, Producer, Strings [Written By], Brass [Written By]: Kelly Jones, Bass: Richard Jones (6), Drums: Stuart Cable, Percussion: Javier Weyler, Vocals, Guitar, Clavinet, Electric Piano [Rhodes]: Kelly Jones, Bass: Richard Jones (6), Drums: Stuart Cable, Mellotron, Electric Piano [Rhodes]: Tony Kirkham, Vocals, Guitar, Piano [Wurlitzer], Mellotron: Kelly Jones, Bass, Harmonica: Richard Jones (6), Drums, Percussion: Stuart Cable, Vocals, Guitar: Kelly Jones, Bass: Richard Jones (6), Drums: Stuart Cable, Piano, Organ [Hammond]: Tony Kirkham, Vocals, Guitar: Kelly Jones, Bass: Richard Jones (6), Drums: Stuart Cable, Percussion: Javier Weyler, Vocals, Guitar, Keyboards, Harmonica: Kelly Jones, Bass: Richard Jones (6), Drums: Stuart Cable, Electric Piano [Wurlitzer]: Tony Kirkham, Percussion: Steven Papworth, Vocals, Guitar: Kelly Jones, Backing Vocals: Aileen McLaughlin, Backing Vocals: Angie Brown, Backing Vocals: Anna Ross, Backing Vocals: Melanie Marcus, Backing Vocals: Sam Brown, Bass: Richard Jones (6), Drums: Stuart Cable, Electric Piano [Wurlitzer]: Tony Kirkham, Percussion, Handclaps: Gail Jones (2), Percussion, Handclaps: Javier Weyler, Percussion, Handclaps: Steven Papworth, Vocals, Guitar: Kelly Jones, Bass: Richard Jones (6), Clavinet, Piano: Tony Kirkham, Drums: Mac Hine, Noises: Jim Lowe, Vocals, Guitar: Kelly Jones, Bass: Richard Jones (6), Drums: Stuart Cable, Piano, Organ [Hammond]: Tony Kirkham, Vocals, Guitar: Kelly Jones, Bass: Richard Jones (6), Drums [Kettle Drums]: Steven Papworth, Drums [Kettle Drums]: Stuart Cable, Piano, Mellotron: Jim Lowe, Piano, Mellotron: Tony Kirkham, Vocals, Guitar: Kelly Jones, Bass: Richard Jones (6), Drums: Stuart Cable, Electric Piano [Wurlitzer]: Tony Kirkham, Vocals, Guitar, Electric Piano [Rhodes]: Kelly Jones, Backing Vocals: Aileen McLaughlin, Backing Vocals: Angie Brown, Backing Vocals: Anna Ross, Bass: Richard Jones (6), Drums: Stuart Cable, Percussion: Javier Weyler, Vocals, Guitar, Electric Piano [Wurlitzer]: Kelly Jones, Bass: Richard Jones (6), Drums: Stuart Cable, Piano: Tony Kirkham, Vocals, Guitar: Kelly Jones, Labelcode 5714438 (00602557144383, 5714438), Phonographic Copyright (p) V2 Music Ltd., Copyright (c) V2 Music Ltd., Pressed By Optimal Media GmbH, Published By Universal Music Publishing, Recorded At Hook End Manor, Recorded At Abbey Road Studios, Mixed At Ocean Way Recording, Mastered At Abbey Road Studios, Lacquer Cut At Fluid Mastering"You Gotta Go There To Come Back" est le quatrième album studio du groupe gallois Stereophonics et paraît ici en format vinyle LP chez Mercury. Cet opus met en avant la fusion unique de rock alternatif et de mélodies soul qui caractérise le groupe ; des titres phares comme « Maybe Tomorrow » ou « Madame Helga » témoignent d?une évolution sonore plus brute et émotionnelle tout en conservant l?identité propre des Stereophonics. Fondé en 1992, le groupe s?est imposé sur la scène internationale avec plusieurs albums classés numéro un au Royaume-Uni tels que « Performance and Cocktails », ainsi que des tubes comme « Dakota ». Leur écriture puissante et leurs prestations scéniques énergiques leur ont valu une reconnaissance mondiale ainsi que des récompenses prestigieuses dont les BRIT Awards. Le label Mercury Records existe depuis 1945 et jouit d?une réputation solide grâce à son catalogue varié couvrant tous les styles majeurs de la musique populaire. | | Sécurité des produits
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Pop International
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