Take Refuge In Clean Living (reissue)

Grails
Take Refuge In Clean Living (reissue)

17,15 EUR  14,29 EUR
光盘
Temporary Residence / Cargo
发布日期: 2017年 03月 16日
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销售排名: 1301 号 摇滚音乐
71292 号 摇滚乐
风格: 摇滚音乐
产品编号: 2097750687
光盘数量: 1
额外信息: .. Living
描述:Bass, Organ, Harpsichord, Vocals, Harmonium: William Slater, Drums: Ben Nugent, Guitar, Pedal Steel Guitar, Baglama [Saz]: Zak Riles, Guitar, Sampler, Mixed By, Design, Layout: Alex John Hall, Horns: Cory Gray (3), Mastered By: Carl Saff, Post Production: Jeff Stuart Saltzman, Recorded By: Jake Hall (4), Recorded By: Steve Lobdell, Synth, Piano, Guitar, Marxophone, Tape, Vocals, Effects [Vibes], Mixed By: Emil Amos, Violin: Kate O'Brien-Clarke, Written-By: The Ventures, Labelcode 00107882 (TRR 285), Recorded At Audible Alchemy
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English Igor G. - 2019年 12月 16日 5 满分 5 颗星!
“Take Refuge In Clean Living” is the fourth studio album by the American experimental rock-band GRAILS from Portland, Oregon. It was released in 2008 through Important Records, but this particular CD is a re-issue from 2017 by the Brooklyn-based Temporary Residence Limited imprint. The album clocks in at about 33 minutes only and features 5 tracks (no extra bonuses here, unfortunately), one of which is an obscure re-interpretation of “11th Hour” by instrumental rock-legends, The Ventures. In fact, “Take Refuge In Clean Living” is an album of purely instrumental music. Though Emil Amos and William Slater are credited as vocalists, there is no lyrical content throughout the tracks, just rare sighs and whispering words from the depth of the mix panorama. Stylistically, this album stretches far beyond the tradition of so-called crescendo-cultivating Post-Rock and can definitely appeal to lovers of Psychedelic Rock with Middle Eastern flavor (“Take Refuge” is an undoubted album’s highlight) or even to open-minded Prog-Rock fans thirsty for new forms and visions (consider “Stoned at the Taj Again” and more avant-garde “Clean Living”). The tracks freely and seamlessly flow into each other bringing unpredictable compositional developments, rich atmospheric arrangements for guitars, keyboards, synths, baglama, violin, horns, percussions and drums, multilayered cinematic textures, as well as changing moods and mysteriously nocturnal images. Beautiful album indeed. My only complaint is that it sleeps away too fast because of the short timing. Yes, it could have been twice longer! But still it works fine for me.