Your search:
No selection
Filter results:
|
Other products from Raymond Scott |
| Details / Tracklist: |
1. THIS IS A SOUND/ALKA-SELTZER EFFECTS #7
2. DOROTHEA
3. IDEA #35
4. OHIO BELL MYSTERY
5. DOMINO SUGAR DEMO
6. AUTO-LITE EFFECTS
7. CYCLIC BIT #1
8. IT'S A LITTLE COMPLICATED
9. A RHYTHM BALLET
10. THE SOUND OF MONEY BEING WASTED
11. PYGMY WAR DANCE
12. CINDY ALTERNATE (POP ROCK)
13. NICE SOUND #3
14. CARRIBEA
15. RHYTHM SAMPLE #9
16. BALLET-LIKE BITS
17. CYCLIC BIT #2
18. PORTOFINO (THEME)
19. RHYTHM SAMPLE #2
20. 1ST CLASS ELECTRONIUM (PART 1)
21. LIMBO EFFECTS REEL
22. MOOD PIECE
1. THERMOFAX EFFECTS
2. RIPPLES EFFECTS #1
3. ELECTRONIUM MOVIE SCORE
4. IN A 21ST CENTURY DRAWING ROOM
5. NICE SET-UP #7
6. IDEA #36
7. CYCLIC BIT #3
8. SPARROWS PT. 1
9. RIPPLES FUGUE
10. THE TOY TRUMPET (DEMO #1)
11. IBM PROBE #3
12. PORTOFINO #3
13. SPARROWS PT. 2
14. CINDY FLAIR LOOK RHYTHM
15. SUPER CHEER INSTRUMENTAL
16. AUTO-LITE WHEELS EFFECTS
17. TONE STEPPER
18. RHYTHM SAMPLE #2 (HALF-SPEED DEMO)
19. 1ST CLASS ELECTRONIUM (PART 2)
20. THE TOY TRUMPET (DEMO #2)
1. RHYTHM SAMPLE #5
2. RIPPLES EFFECTS #2
3. EFFECT #6/FIVE-FIVE
4. RHYTHM SAMPLE #6
5. CAT CONCERTO (ALLEY CATS)
6. TOY FUNK
7. ICEBERG BIT
8. 2ND CLASS ELECTRONIUM
9. 500
10. BEE SWING
11. CLAVIVOX DEMO INTRO
12. IBM PROBE #4
13. PORTOFINO #4
14. NIGHT ON A CALM SEA
15. OHIO BELL RHYTHM TRACK
16. 1ST CLASS ELECTRONIUM (PART 3)
17. BALTIMORE GAS & ELECTRIC TEST
18. CINDY VARIATIONS PT. 1
19. THREE MOTOWN ELECTRONIUM ADAPTATIONS (BY HOBY COOK) |
 | | Number of discs: |
3 |
| | Extra-Infos: |
Electronic Music From Inner Space 1961-1971 |
| | Description: | Raymond Scott (1908-1994) was a renowned bandleader, composer and pianist from the 1930s to the 1950s. Many of his playful riffs, originally recorded 1937â??39 by the Raymond Scott Quintette, achieved familiarity in the soundtracks of Bugs Bunny cartoons. But he had an alter ego â?? inventor, professor in a lab coat, electronic music pioneer. In 1997 Basta reissued Scott's '1963 Soothing Sounds for Baby', which contained gentle, all-electronic lullabies designed to calm and delight infants. These pioneering explorations of synthesized rhythmic minimalism and low-key ambience foreshadowed the later work of Phillip Glass, Kraftwerk and Brian Eno.
'Three Willow Park: Electronic Music from Inner Space, 1961â??1971', contains 62 previously unissued gems by Scott. Many feature hypnotic rhythm tracks played by Scott's Electronium â?? an invention which composed and performed using programmed intelligence. That Scott produced beat-oriented proto-techno before the 1970s explosion of electronic music and rhythms on the pop charts is a significant achievement that should not be overlooked. These recordings define and establish Scott's legacy in Electronic music history. - ELECTRONIC MUSIC FROM INNER SPACE 1961-1971THREE WILLOW PARK: Electronic Music from Inner Space, 1961-1971
Three Willow Park: Electronic Music from Inner Space, 1961?1971, represents the second anthology of pioneering electronica by Raymond Scott. The album contains 61 previously unissued gems, many featuring hypnotic rhythm tracks played by Scott?s Electronium ? an invention which composed and performed using programmed intelligence. Three Willow Park reveals that Scott was producing beat-oriented proto-techno before the 1970s explosion of electronic music and rhythms on the pop charts, a significant achievement that should not be overlooked.
In 2000, Basta issued Manhattan Research Inc., a 2-cd set of 69 tracks recorded 1953?69, spotlighting Scott?s groundbreaking electronica ? a gallery of strange sounds seemingly beamed down from UFOs. MRI also presented some of the earliest TV & radio commercials to feature electronic music, as well as early film soundtrack collaborations with Jim Henson. Three Willow Park presents the next stage in assuring Scott?s place in electronic music history.
Willow Park Center was an industrial rental complex of offices and warehouses in a Long Island suburb. Following his 1965 marital breakup, Scott set up shop at WPC. He operated a musical lab ? researching, experimenting, testing, and measuring. He twirled knobs, flipped switches, and took notes. He installed equipment and machines, and used them to build new equipment and machines. This makeshift compound remained Scott?s workspace and bedroom until 1971, when he decamped for L.A. to work for Berry Gordy at Motown.
Scott was a highly qualified engineer who also happened to be a conservatory-trained (Juilliard) musician. He could compose, arrange, perform, improvise and edit, but given a shelf of hardware and a soldering iron, he could also rig an appliance to further his musical aims. Like many visionaries, Scott foreshadowed the future. He developed technological processes which were pivotal in the evolution of the fax machine. He composed a ?silent? piece years bef | | | Manufacturer No.: |
BASTA93432 |
| Product Safety
Responsible Person for the EU:
Bertus Musikvertrieb
Bertus Musikvertrieb
Akeleibaan 59, 2908 KA Capelle aan den Ijssel, NL
service@bertus.com | |
|
There are currently no product reviews.
|  |
|
|
|
|
Pop International
252.776
