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Other products from Soul Jazz Records Presents / various |
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Disc 01
 01. "Keep That Light" 02. "Natty Ten To One" 03. "Netty Dread On The Go" 04. "Minstral" 05. "Jah Promise" 06. "Wine Of Violence" 07. "Compliment To Studio One" 08. "Easy" 09. "Quarter Pound Of Ishen"
Disc 02
01. "A Fool" 02. "In Cold Blood" 03. "Chanting" 04. "Bushmaster" 05. "Happy Man" 06. "Still Dubbing" 07. "Jah A Love You" 08. "Show And Tell" 09. "Rastaman Camp"
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 | | Number of discs: |
1 |
| | Extra-Infos: |
.. Supreme-maximum 70s And 80s |
| | Description: | By the 1970s Studio One and Clement Sir Coxsone Dodd had already proved himself to be the defining force in Reggae for almost two decades. From running the Downbeat sound system on the lawns and yards of Kingston in the late 1950s to opening Studio One at 13 Brentford Road at the start of the 1960s, ushering in Ska and Rocksteady and establishing the careers of most of Jamaicas artists everyone from Bob Marley and The Wailers, Ken Boothe, Toots and The Maytals, The Skatalites, Jackie Mittoo and more Clement Dodd had until this point dominated the Jamaican musical world. And yet, incredibly, Clement Dodd was barely half way through his musical path, maintaining Studio Ones number one position in the Jamaican music scene throughout the 1970s with a combination of musical and creative innovation and an endless capacity to adapt and create new musical fashions. By the end of the 1970s Dancehall had become the defining sound on the island. Dancehall was essentially a tribute by other Jamaican producers and artists to the classic music of Studio One created in the 1960s as young artists across the island created new songs, while musicians recreated these original classic foundation Studio One rhythms. As on other occasions, Clement Dodd rose to this new musical challenge by producing a whole new era of classics for Studio One. The roots of Dancehall begin with the DJs of the early 1970s, who were the first to sing new material over earlier classic rhythms. Early DJ pioneers such as Dillinger and Prince Jazzbo both feature here toasting over classic songs - The Mad Lads Ten to One and The Eternals Queen of the Minstrel. But it is the new wave of artists who arrived at Studio One at the onset of Dancehall which enabled Studio One to maintain its number one status as the whole of Kingstons rival music producers Channel One, Joe Gibbs and many others attempted to challenge this position. Sugar Minott, Michigan and Smiley, Willie Williams, Lone Ranger had all grown up listening to the classic Studio One music of the 1960s and were able to pay the greatest compliment to the label by creating the defining new music of this new era with songs that combined all the musical and technological developments of the 1970s dub, deejaying, discomixes, syndrums, synthesizers and more into the sound of the future: Dancehall. Throughout this era Clement Dodd also continued to work with a number of original and returning artists such as Alton Ellis, Horace Andy, Freddie McGregor, Johnny Osbourne updating old rhythms and creating new ones while employing the in-house band variously known as The Brentford All- Stars/Rockers/Disco Set to update these sounds in order to maintain Studio Ones number one position as the defining force in Reggae. This is Soul Jazz Records latest new collection of classic and rare Studio One recordings and is released on triple LP (+ download code), deluxe CD and digital album.ound Of Ishenâ?, â??Alton Ellis - A Foolâ? and more.
The album is available in the following configurations:
- CD
- 3-LP - .. SUPREME-MAXIMUM 70S AND 80SHoused in a cardboard slipcase.
On CD: ?&© Soul Jazz Records [...] 2017
In booklet:
This compilation: ?2017 by Jamaica Recording and Publishing Studio Limited, t/a Studio One under exclusive licence to Soul Jazz Records.
This compilation: © Soul Jazz Records 2017
Track 1: 1981 (Jamrec Music)
Track 2: 1975 (Jamrec Music)
Track 3: 1977 (Jamrec Music)
Track 4: 1972 (Jamrec Music/Copyright Control)
Track 5: 1979 (Jamrec Music)
Track 6: 1979 (Jamrec Music)
Track 7: 1979 (Jamrec Music)
Track 8: 1982 (Jamrec Music)
Track 9: 1977 (Jamrec Music)
Track 10: 1979 (Jamrec Music)
Track 11: 1979 (Sparta Florida)
Track 12: 1990 (Jamrec Music)
Track 13: 1981 (Jamrec Music)
Track 14: 1979 (Jamrec Music)
Track 15: 1977 (Copyright Control)
Track 16: 1977 (Jamrec Music)
Track 17: 1980 (Copyright Control)
Track 18: 1976 (Jamrec Music)"Studio One Supreme" on CD, released by SOUL JAZZ / INDIGO, is a remarkable compilation that delves deep into the golden era of Jamaican music. This collection brings together some of the finest tracks from Studio One, often referred to as the "Motown of Jamaica," showcasing an eclectic mix of reggae, rocksteady, and ska classics. The selection highlights both timeless hits and rare gems that capture the essence and evolution of Caribbean sound culture. SOUL JAZZ RECORDS is renowned for its expertly curated compilations across genres like jazz, funk, soul, reggae, and more?always with a focus on quality and historical significance. With "Studio One Supreme," listeners are treated to a vibrant journey through influential rhythms and melodies that have shaped generations. | | | No. of tracks: |
22 |
| | Manufacturer No.: |
05150152 |
| Product Safety
Responsible Person for the EU:
Soul Jazz Records Limited
375 Media GmbH
Schachthofstraße 36a, 21079 Hamburg, DE
https://375media.com/ | |
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