Plane / Gould / Adams / Neary / Frith / + -Contrasts-Impressions of Hungary -Champs Hill Records CD Grooves.land/Playthek

Details / Tracklist:

Kontraste Sz 111 (für Violine, Klarinette und Klavier)

01. "Nr. 1 Recruiting Dance: Moderato ben ritmato"

02. "Nr. 2 Relaxation: Lento"
03. "Nr. 3 Fast Dance: Allegro vivace"
Sonatina für Klarinette solo op. 27
04. "1. Thema mit Variazionen"
05. "2. Vivo e giosco"
06. "Chamber Folk Music"
Hommage ? Robert Schumann op. 15d (für Klarinette, Viola und Klavier)
07. "Nr. 1 Merkwürdige Pirouetten des Kapellmeisters Johannes Kreisler: Vivo"
08. "Nr. 2 Der begrenzte Kreis: Molto sempice, piano e legato"

09. "Nr. 3 Und wieder zuckt es schmerzlich F. um die Lippen: Feroce, Agitato"
10. "Nr. 4 T?red?k-T?red?k: Calmo, scorrevole"
11. "Nr. 5 In der Nacht: Presto"
12. "Nr. 6 Abschied: Adagio, poco andante"
K?t T?tel (Two Movements)
13. "1. Woeful shepherd"
14. "2. Barn dance"
Sextett C-Dur op. 37
15. "1. Allegro appassionato"
16. "2. Intermezzo: Adagio"

17. "3. Allegro con sentimento - Presto, quasi l'istesso tempo - Meno mosso"
18. "4. Finale: Allegro vivace - Giocoso"

Number of discs:

Extra-Infos:

Works By Bartok/ Rozsa/ Weiner/ Dohnanyi/ Kurtag

Description:

We are so used to the gritty and astringent style of BÃ©la BartÃ³k (1881â??1945) that it is often overlooked that he started from a musical and aesthetic background very similar to that of his apparent polar opposite, the precociously gifted but â??â?? conventional Erno DohnÃ¡nyi (1877â??1960). Indeed, the two attended the same Catholic grammar school in Pozsony (now Bratislava in Slovakia), DohnÃ¡nyi just four years ahead of BartÃ³k, and both pupils played the organ at the church attached to the school. BartÃ³k was very conscious of the early and spectacular success enjoyed by DohnÃ¡nyi, whose piano quintet, written while still a student at the Budapest Academy of Music, so impressed Brahms that the German composer helped arrange for its premiere in Vienna; after graduating, DohnÃ¡nyi became almost instantly an international success, performing Beethovenâ??s Fourth Piano Concerto in Londonâ??s Queenâ??s Hall under the baton of Hans Richter. BartÃ³k hoped to emulate this success, and while in his teens composed several Brahms- influenced works including a piano quintet written just two years after DohnÃ¡nyiâ??s. He also greatly admired DohnÃ¡nyiâ??s piano playing, and took lessons with him; their relationship was sufficiently cordial for DohnÃ¡nyi to conduct several of BartÃ³kâ??s early works. - WORKS BY BARTOK/ROZSA/WEINER/DOHNANYI/KURTAG

Manufacturer No.:

CHRCD132

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