Morbid Angel, the true forefathers of death metal music, triumphantly return with their ninth studio album Kingdoms Disdained. It finds legendary guitarist and founder Trey Azagthoth reigniting his creative alchemy with vocalist/bassist Steve Tucker to create a crushingly heavy and highly apocalyptic soundtrack for these increasingly dark times. Relentless and unrepentant Kingdoms Disdained abounds with sheer, brutal power, complex changes and a gloriously violent death metal underpinning, an album designed to confront fans and non-believers alike, with Tucker's lyrics destined to spark deep conversation on several angles of mysticism and darkness., Runningtime: 00:00:00, Drums, Percussion: Scott Fuller (6), Guitar: Trey Azagthoth, Mastered By: Alan Douches, Producer: Morbid Angel, Producer, Engineer, Mixed By: Erik Rutan, Vocals, Bass: Steve Tucker, Labelcode SVLG694231.2 (SLM071P18, 0190296942310), Engineered At Mana Recording Studios, Mixed At Mana Recording Studios, Mastered At West West Side Music, Glass Mastered At Sony DADC, Southwater
"Kingdoms Disdained" marque le retour en force du légendaire groupe de death metal Morbid Angel et est disponible au format CD. Cet album signe une renaissance triomphale pour la formation avec ses riffs puissants, sa batterie implacable et ses atmosphères sombres qui rappellent leur son classique tout en intégrant une production moderne audacieuse. Depuis sa création en 1983, Morbid Angel s?impose comme pionnier du métal extrême grâce à des albums phares tels que « Altars of Madness », « Blessed Are the Sick » ou encore « Covenant ». Leur virtuosité technique et leur créativité ont forgé un héritage durable dans l?univers du métal mondialement reconnu par les critiques et les fans dévoués. Le disque est édité par Silver Lining Music, un label réputé pour soutenir des artistes emblématiques dans le rock et le métal tout en garantissant qualité et liberté artistique.
Warner Music Warner Music Group Germany Holding GmbH Alter Wandrahm 14, 20457 Hamburg, DE anfrage@warnermusic.com
Spécifications techniques
Langue:
Caractéristiques
Audience cible
Adulte
Date de sortie
30/11/2017
Genre
Heavy metal
Nombre de disques optiques
1 disques
Titres des chansons
Disc 1:
1 Piles Of Little Arms
2 D.E.A.D
3 Garden Of Disdain
4 The Righteous Voice
5 Architect And Iconoclast
6 Paradigms Warped
7 The Pillars Crumbling
8 For No Master
9 Declaring New Law (Secret Hell) *
10 From The Hand Of Kings
11 The Fall Of Idols
I remember that in the year 2009, in a popular magazine about heavy music, I came across an article that dealt with the then worrying question: "Why is Morbid Angel so pulled with the release of the new album?" The article stated the idea that, in the modern world, it is very difficult for giants to surprise the audience with a huge stream of Death Metal waves of young animals. And I don’t know whether this idea was born by the author of the article or was pulled out of some interview with the group itself, but the facts before us: "Illud Divinum Insanus" was experimental, and most likely, it was called to replenish the legion of MA fans more young audience.
Alas, this experiment showed other results. It is obvious that the group has long lost its former glory, and the legion of fans has long grown old, flabby and does not want to hear anything industrial. And over time, it turned out that David Vincent doesn’t need all this Death Metal fuck, and in general he loves country music. I had to change my views on the world, industry and the composition of the group.
So, here is the ninth studio album, entitled "Kingdoms Disdained". What new has he brought to the world? Absolutely nothing. A typical Morbid Angel album, with a full set of schizophrenic solos, a bunch of beatings and rhythm changes, high-quality Death Metal vocals and other standard things that are typical for the group.
I do not want to say that this album is not needed. It is pleasant to listen to him, if you have enjoyed listening to these scoundrels before. For me, the main problem is a step back. This album was supposed to be released in the year 2005 or 2006, and everyone would be happy. Or had to continue the line of "Illud Divinum Insanus" in order to show that the group has eggs and its own view of the world. But in reality, we have a longplay that seems to many to be passable, especially since in the modern world it is very difficult to surprise the audience with a huge stream of Death Metal young animals.
With great pleasure I will listen to this album, purchase it in a collection for the full discography, and continue to follow the work of Morbid Angel. But every time I think about this release, I will ask myself: "And how would Kingdoms Disdained sound if the people liked" Illud Divinum Insanus ""?
Metal
47.057
