Yavor Genov -Orpheus Anglorum -Brilliant CD Grooves.land/Playthek

Details / Tracklist:

01. "Flatt Pavan"

02. "Flatt Galliard"

03. "Carman's whistle"

04. "Delight Pavan"

05. "Delight Galliard"

06. "Quadro Pavan"

07. "Johnson's jewel"

08. "Without title (Galliard)"

09. "Gathering of peascods"

10. "A Ground"

11. "Passingmeasures Pavan"

12. "Good night and good rest"

13. "Pavan"

14. "New Year's gift"

15. "The Countess of Pembroke's Funeral"

16. "Fantasia I"

17. "Hey-Ho-Holiday"

18. "Pavan"

19. "Galliard to the Pavan last before"

20. "Last will and testament"

21. "Fantasia II"

22. "Almaine"

23. "Galliard"

24. "Fantasia"

25. "Heres Paternus"

26. "My Linda"

27. "As it fell on a holiday"

Number of discs:

Extra-Infos:

Yavor Genov

Description:

John Johnson and Antony Holborne share much in common, in their music and probably career, but this disc, in setting their work side by side, reveals their individual style and approach to the instrument. It is assumed that they both were born in the 1540s, without authoritative record, but their work in the royal court of the 1560s is attested. Johnson made his career as an accomplished performer, while Holborneâ??s energies were focused on writing for the instrument. In the case of Johnson, the pavans, alliards and grounds recorded by Yavor Genov incorporate an amalgam of native and foreign (especially Italian) elements. His works show the English taste for crossrelations, surprising harmonic and tonal relationships and, above all, variation. However, like Holborne, he developed the form of the pavan during the course of his career, endowing it with increasing richness of ornamentation and expression, to be enjoyed in full in the melancholy undertow of the Passingmeasures Pavan. Holborneâ??s lute music is still more painstakingly elaborate, designed perhaps less for public show than private reflection, to give as much pleasure to the musician as to his courtly audience. - YAVOR GENOV

John Johnson and Antony Holborne share much in common, in their music and in their careers, but this album, in setting their work side by side, reveals their individual style and approach to the instrument. It is assumed that they both were born in the 1540s, without authoritative record, but their work in the royal court of the 1560s is attested. Johnson made his career as an accomplished performer, while Holborne's energies were focused on writing for the instrument. In the case of Johnson, the pavans, galliards and grounds recorded by Yavor Genov incorporate an amalgam of native and foreign (especially Italian) elements. His works show the English taste for cross-relations, surprising harmonic and tonal relationships and, above all, variation. However, like Holborne, he developed the form of the pavan during the course of his career, endowing it with increasing richness of ornamentation and expression, to be enjoyed in full in the melancholy undertow of the Passingmeasures Pavan. Holborne's lute music is still more painstakingly elaborate, designed perhaps less for public show than private reflection, to give as much pleasure to the musician as to his courtly audience. With two albums on Brilliant, of music by Kapsberger and Zamboni, the young Bulgarian lutenist has introduced himself to international audiences and proved to be a thoroughly sympathetic interpreter of this idiom which trades on subtle intimacies of phrase, decoration and inflection.

No. of tracks:

Manufacturer No.:

1095551BRC

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