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| 详情/曲目清单: |
01. "The unveiling" 02. "Interdimensional summit" 03. "Atheru" 04. "Council of wolves and snakes" 05. "The empyrean Phoenix" 06. "Lightbringer" 07. "I am sovereign" 08. "Archau corrospondence" 09. "Alpha aeon omega" 10. "Rite of passage"
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 | | 光盘数量: |
1 |
 | | 区域代码: |
0 那是什么?
请注意我们有关区域代码的信息:
DVD 和蓝光光盘通常采用国家编码,不能在全球播放。请检查您的播放器是否与物品的区号兼容。
DVD 代码 - 地区
0/免费 - 非正式术语,表示“全球”
1 - 美国、加拿大、百慕大、美国领土
2 - 欧洲(中欧、北欧、南欧、西欧)、埃及、中东、日本、南非、斯威士兰、莱索托、格陵兰、英国海外领土、英国皇家属地、法国海外省和领土
3 - 东南亚、韩国、台湾、香港、澳门
4 - 拉丁美洲(法属圭亚那除外)、圭亚那、苏里南、新西兰、澳大利亚、巴布亚新几内亚、大洋洲大部分地区
5 - 南亚、阿富汗、东欧(乌克兰、白俄罗斯、俄罗斯、哈萨克斯坦)、非洲(埃及、南非、斯威士兰、莱索托除外)、中亚、蒙古、朝鲜
6 - 中国
7 - 保留以备将来使用,与 MPAA 相关亚洲预发行的 DVD 和“媒体副本”
8 - 国际场所,如飞机、游轮、航天器等。
9 - 所有八个标志均已设置,允许在任何位置、任何播放器上播放光盘
蓝光代码 - 区域
free/0 - 非正式术语,表示“全球”。
A/1 - 美国及其附属国、东亚和东南亚;不包括属于区域 C 的实例。
B/2 - 非洲、中东、西南亚、欧洲大部分地区、澳大利亚、新西兰及其附属国;不包括属于区域 C 的实例。
C/3 - 中亚、中国大陆、蒙古、南亚、白俄罗斯、俄罗斯、乌克兰、哈萨克斯坦、摩尔多瓦和上述地区的附属国。
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 | | 描述: | Runningtime: 00:00:00, Arranged By [Choir Arrangements By]: Gaute Storaas, Arranged By [Choir Arrangements By]: Shagrath, Booking, Management: Håkon Grav, Choir: Schola Cantorum (3), Choir [Choirsingers]: Agnes Winsents, Choir [Choirsingers]: Agnieszka Pikuta, Choir [Choirsingers]: Annika Belisle, Choir [Choirsingers]: Carl-Christian Kure, Choir [Choirsingers]: Christian Pollock Fjellstad, Choir [Choirsingers]: Erik Hedmo, Choir [Choirsingers]: Geirmund Simonsen, Choir [Choirsingers]: Gunhild Marina Tjernstad, Choir [Choirsingers]: Guro Schjelderup, Choir [Choirsingers]: Hauk J. Røsten, Choir [Choirsingers]: Hilde Stenseng, Choir [Choirsingers]: Hugo Herrman, Choir [Choirsingers]: Inger Helseth, Choir [Choirsingers]: Karen Austad Christensen, Choir [Choirsingers]: Lars Christen Hausken, Choir [Choirsingers]: Martin Røsok, Choir [Choirsingers]: Ragnhild E. Bye Luetken, Choir [Choirsingers]: Ragnhild Kleppe, Choir [Choirsingers]: Svein Oskar Smogeli, Choir [Choirsingers]: Synnøve Sætre, Choir [Choirsingers]: Tekla Lou Fure Brandsæter, Choir [Choirsingers]: Thomas Ringen, Choir [Choirsingers]: Vilde Bolstad Bakken, Choir [Choirsingers]: Vilde Groth Pettersen, Choir [Choirsingers]: Åste Jensen Sjøvaag, Choir [Choirsingers]: Øyvind Sætre (2), Chorus Master: Gunvald Ottesen, Cover [Front & Backside Cover Art By]: Zbigniew Bielak, Drums: Daray, Edited By [Editing By]: Linus Corneliusson, Engineer [Additional Tracking Engineered And Coordinated By]: Shagrath, Engineer [Engineered By], Mixed By, Co-producer [Co-Produced By]: Jens Bogren, Engineer [Schola Cantorum Engineered And Assisted By]: Jock Loveband, Guitar, Bass Guitar: Erkekjetter Silenoz, Keyboards [Keys], Arranged By [Additional Orchestral Arrangements]: Gerlioz, Layout [Layout Supervised By]: Marcelo Vasco, Layout [Layout Supervised By]: Shagrath, Lead Guitar, Bass Guitar: Galder, Lyrics By: Erkekjetter Silenoz, Mastered By: Tony Lindgren, Music By [All], Arranged By [All Arrangements By]: Erkekjetter Silenoz, Music By [All], Arranged By [All Arrangements By]: Galder, Music By [All], Arranged By [All Arrangements By]: Shagrath, Photography By [Band And Portrait Pics By]: Per Heimly, Photography By [Photos Of Dimmu Borgir By]: Per Heimly, Photography By [Shagrath Portrait By]: Stefan Heilemann, Producer [Produced By]: Dimmu Borgir, Recorded By [Shaman Voice]: Gerlioz, Recorded By [Voodoo Percussion]: David Castillo (5), Technician [Drums]: Ludwig Näsvall, Voice [Voices], Bass Guitar, Keyboards [Keys], Arranged By [Orchestral Arrangements], Effects: Shagrath, Percussion [Voodoo]: Martin Lopez, Voice [Shaman]: Mikkel Gaup, Labelcode NB3731-0 (NB 3731-0, 27361 37310), Phonographic Copyright (p) Nuclear Blast Tonträger Produktions- und Vertriebs GmbH, Copyright (c) Nuclear Blast Tonträger Produktions- und Vertriebs GmbH, Recorded At Fascination Street Studios, Recorded At Urban Sound Studios, Mastered At Fascination Street Studios, Glass Mastered At Technicolor |  | | No. of tracks: |
10 |
 | | Manufacturer No.: |
NB3731-0 |
 | 产品安全
欧盟负责人:
Warner Music Warner Music Group Germany Holding GmbH Alter Wandrahm 14, 20457 Hamburg, DE anfrage@warnermusic.com |  |
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Michael B. - 2020年 11月 12日  From 2010 Abrahadabra I didn't hear anything new from Dimmu Borgir and even didn't know they had a new album out until my friend had told me about it. I've ordered it, put in CD player and.... First listen was not too impressed. So I stuck it in the car for work travelling. Now love it !!!! Great sound. I Am Sovereign is absolutely phenomenal. One of the best albums for me so far.
|  | Alexander S. - 2020年 01月 15日  Was it worth it? It was this question that tormented my interaural ganglion while listening to the new work of The Dark Fortress. The problem is not that “Eonian” is bad or vice versa - a good album by Dimmu Borgir. The fact is that it is not needed. At all. 8 years of silence led to very definite thoughts about the complete creative impotence of the once glorious collective. These thoughts were fueled by periodic statements by the musicians themselves that they had no material. But apparently the bosses of Nuclear Blast, shaking the contract, kicked the Norwegian idlers in the ass. And so: we have what we have. “Eonian”, God forgive me. Technically, there are no complaints about the album, with the exception of Shagrat's senile grunts (which has been annoying me for 17 years in a row). Everything was recorded just fine - it could not be otherwise. Chorus, orchestra - everything is in its place. The problem is in the material itself: it is endlessly dull and dreary. Despite the assurances of Silenos, no “return to the roots” occurred, there is no blackout at all. And there is some obscure symphonic-horseradish-understand-that-metal, with a bevel under Therion. Three regular members of the collective over the past years after the release of “Abrahadabra”, could not squeeze out good riffs and melodies from themselves, let alone make good compositions from them. And no choirs and orchestrations can drape the whole void and squalor of songs from “Eonian”, the apotheosis of which is worthless is the absolutely dumb “Council Of Wolves And Snakes”. As a result, Dimmu Borgir released an album in which there is nothing besides symphonic “decorations”. Returning to the question asked at the beginning of the review, I can say that no, it was not worth it.
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