Paolo Da Col / Odhecaton -Claudio Monteverdi in San Marco-Geistl.Chormus. -Arcana CD Grooves.land/Playthek

Comentarios / Titulos de las canciónes:

Messa a quattro voci da capella (Messe)

01. "Kyrie"

02. "Gloria"

03. "Credo"

04. "Sanctus"

05. "Benedictus"

06. "Agnus Dei"

07. "Gloria a 7 voci concertanto con due violini et 4 tromboni"

08. "Sinfonie"

09. "Pianto della Madonna (a voce sola sopra al Lamento d'Arianna)"

10. "Laetaniae della Beata Vergine (a sei voci)"

Cantidades:

Descripción:

Following their album largely devoted to sacred polyphonic works composed for the basilica of Santa Barbara during the period in which Claudio Monteverdi worked for the Gonzagas in Mantua, Odhecaton now presents sacred compositions from the composer's later years, written for St Mark's basilica where he became maestro di cappella in 1613. This new recording presents both sides of Monteverdi's sacred style: the stile antico or strict contrapuntal style, exemplified in the Mass for four voices published posthumously in 1650; and the stile moderno, that is, concertato and solo vocal writing. The concertato style, which combines and intertwines voices and instruments in dialogue, characterizes the monumental Gloria a 7, which was conceived for a cappella rich in virtuoso singers and instrumentalists. But in this city of theaters, in the heyday of the canto a voce sola, Monteverdi transformed the famous Lamento d'Arianna (from his lost opera Arianna) into a sacred piece. The Litanies to the Virgin Mary, published in three collections between 1620 and 1650, represent the expression of a gentle Marian style, dominated by a cappella choral invocations alternating with brief solo passages., Runningtime: 00:00:00, Alto Trombone: Ermes Giussani, Baritone Vocals: Marco Scavazza, Bass Trombone: David Yacus, Bass Vocals: Enrico Bava, Bass Vocals: Giovanni Dagnino, Bass Vocals: Marcello Vargetto, Composed By: Claudio Monteverdi, Cornett: Doron David Sherwin, Countertenor Vocals: Alessandro Carmignani, Countertenor Vocals: Andrea Arrivabene, Countertenor Vocals: Gianluigi Ghiringhelli, Countertenor Vocals: Guy James (2), Countertenor Vocals: Matteo Pigato, Directed By: Paolo Da Col, Edited By: Corrado Ruzza, Ensemble: La Pifarescha, Ensemble: Odhecaton (2), Harp: Marta Graziolino, Liner Notes: John Whenham, Liner Notes: Rodolfo Baroncini, Organ: Deniel Perer, Producer, Engineer [Recoding Balance], Mastered By: Michael Seberich, Soprano Vocals: Alena Dantcheva, Soprano Vocals: Barbara Zanichelli, Tenor Trombone: Corrado Colliard, Tenor Trombone: Mauro Morini, Tenor Vocals: Alberto Allegrezza, Tenor Vocals: Gianluca Ferrarini, Tenor Vocals: Paolo Fanciullacci, Tenor Vocals: Vincenzo Di Donato, Theorbo: Elisa La Marca, Theorbo: Maurizio Da Col, Viola [Da Braccio]: Sandro Della Libera, Viola da Gamba: Carlo Santi (2), Viola da Gamba: Pia Nainer, Violin: Giorgio Fava, Violin: Maria Ines Zanovello, Violone [Violotto]: Cristiano Contadin, Composed By: Biagio Marini, Labelcode ARC447.2 (A 447), Phonographic Copyright (p) Outhere Music France, Copyright (c) Outhere Music France, Recorded At Chiesa San Pietro Belluno

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N° de fabricante:

A447

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