Frank Peter Zimmermann
Harpsichord Concertos Vol.1

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Challenge Classics
Release date: 04/May/2018

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Content:

Details / Tracklist:

01. "Harpsichord Concerto No. 1 in D Minor, BWV 1052 I. Allegro"

02. "Harpsichord Concerto No. 1 in D Minor, BWV 1052 II. Adagio"

03. "Harpsichord Concerto No. 1 in D Minor, BWV 1052 III. Allegro"

04. "Harpsichord Concerto No. 2 in E Major, BWV 1053 I. [no tempo marking]"

05. "Harpsichord Concerto No. 2 in E Major, BWV 1053 II. Siciliano"

06. "Harpsichord Concerto No. 2 in E Major, BWV 1053 III. Allegro"

07. "Harpsichord Concerto No. 4 in A Major, BWV 1055 I. Allegro"

08. "Harpsichord Concerto No. 4 in A Major, BWV 1055 II. Larghetto"

09. "Harpsichord Concerto No. 4 in A Major, BWV 1055 III. Allegro ma non ta"

10. "Harpsichord Concerto No. 5 in F Minor, BWV 1056 I. [no tempo marking]"

11. "Harpsichord Concerto No. 5 in F Minor, BWV 1056 II. Largo"

12. "Harpsichord Concerto No. 5 in F Minor, BWV 1056 III. Presto"

Number of discs:

Extra-Infos:

La Risonanza/ Fabio Bonizzoni

Description:

This is the first volume in a complete survey of Bachâ??s harpsichord concertos, recorded by La Risonanza in one-to-a-part practice performance. With his Fifth Brandenburg Concerto of 1719, Bach had created the first ever harpsichord concerto. From 1729, in Leipzig, the opportunity arose to continue this experiment: each week at CafÃ© Zimmermann he conducted his Collegium musicum in orchestral concerts that lasted around two hours. In the summer of 1733, he took delivery of â??a new harpsichord, the like of which has not been heard before around hereâ?. This magnificent instrument, which featured at the Zimmermann concerts, urgently called for concertos to be played by himself as soloist, and even more so his sons and students. Not only in Saxony but also well beyond, Bach was considered to be the absolute authority in all things harpsichord and organ; he thus had to make his own contribution to the emerging genre of the â??clavier concertoâ?. The manuscript of his six harpsichord concertos BWV1052 to 1057 should therefore be understood as a repertoire collection for his Collegium musicum, and as a compositional manifesto. Within the six concertos, each work takes on a specific function: The D minor concerto is the longest, most virtuosic and most Italianate of the collection. The stormy and sombre concerto is followed by the serene and cantabile E major concerto which, as Joshua Rifkin has convincingly argued, may well be based on a lost oboe concerto in E flat major. Whilst the concertos in D minor and E major are substantial works, the concertos in A major and F minor are far more compact. Both display noticeable influences of the galant style and were therefore probably not written before 1730. Tracklisting: 1. Harpsichord Concerto No. 1 in D Minor, BWV 1052 - I. Allegro (07:36) 2. Harpsichord Concerto No. 1 in D Minor, BWV 1052 - II. Adagio (05:47) 3. Harpsichord Concerto No. 1 in D Minor, BWV 1052 - III. Allegro (07:54) 4. Harpsichord Concerto No. 2 in E Major, BWV 1053 - I. [no tempo marking] (08:04) 5. Harpsichord Concerto No. 2 in E Major, BWV 1053 - II. Siciliano (04:07) 6. Harpsichord Concerto No. 2 in E Major, BWV 1053 - III. Allegro (06:53) 7. Harpsichord Concerto No. 4 in A Major, BWV 1055 - I. Allegro (04:23) 8. Harpsichord Concerto No. 4 in A Major, BWV 1055 - II. Larghetto (04:24) 9. Harpsichord Concerto No. 4 in A Major, BWV 1055 - III. Allegro ma non tanto (04:30) 10. Harpsichord Concerto No. 5 in F Minor, BWV 1056 - I. [no tempo marking] (03:29) 11. Harpsichord Concerto No. 5 in F Minor, BWV 1056 - II. Largo (02:16) 12. Harpsichord Concerto No. 5 in F Minor, BWV 1056 - III. Presto (03:34) - LA RISONANZA/FABIO BONIZZONI

This is the first volume in a complete survey of Bach's harpsichord concertos, recorded by La Risonanza in one-to-a-part practice performance. With his Fifth Brandenburg Concerto, Bach had created the first ever harpsichord concerto. In Leipzig, the opportunity arose to continue this experiment: each week at Café Zimmermann he conducted his Collegium musicum in orchestral concerts that lasted around two hours. In the summer of 1733, he took delivery of "a new harpsichord, the like of which has not been heard before around here." This magnificent instrument, which featured in the Zimmermann concerts, urgently called for concertos to be played by Bach himself as soloist, and even more so his sons and students. Not only in Saxony but also well beyond, Bach was considered to be the absolute authority on all things harpsichord and organ; he thus had to make his own contribution to the emerging genre of the 'clavier concerto.' The manuscript of his six harpsichord concertos should therefore be understood as a repertoire collection for his Collegium musicum, and as a personal manifesto.

No. of tracks:

Manufacturer No.:

CC72773

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Harpsichord Concertos Vol.1