Details / Tracklist: |
Mysterische Sonate Nr. 1 d-moll "The Annunciation" 01. "1. Pr?ludium" 02. "2. Variatio - Aria allegro - Variatio - Adagio - Finale" Romanesca op. 3 03. "Prima parte - Secona parte - Terza parte in altro modo - Quarta parte - Gagliarda - Corente" 04. "Sonate Nr. 4 per il violino per sonar con due corde" Sonate Nr. 1 F-Dur op. 5 05. "1. Pr?ludium: Adagio" 06. "2. Allemande: Allegro" 07. "3. Sarabande: Largo" 08. "4. Gavotte: Allegro (mit Variationen für Harfe)" 09. "5. Giga: Allegro" Sonate für Violine solo Nr. 1 g-moll BWV 1001 (in d-moll bearb. für Harfe) 10. "1. Adagio" 11. "2. Fuge" 12. "3. Siciliana" 13. "4. Presto"
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Number of discs: |
1 |
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Description: | J. S. Bach, Biber, Marini, Corelli: four leading figures of Baroque music that no one would associate with the harp. However, they worked in environments where there is ample evidence that harpists were active, and where a solo harp repertory certainly existed, even if it was never written down. This ambitious project starts out from that premise, and is the result of in-depth research into original sources. It suggests that the repertory for violin, an instrument that shares many idiomatic features with the harp, was long a source of inspiration for harpists. Hence, here some of the best-known and most virtuosic pieces for the violin have been arranged for harp, giving these compositions a new lease on life and shedding light on new and unexpected nuances and reflections. Flora Papadopoulos, after significant collaborations with ensembles such as Cappella Mediterranea/L. Garcia Alarcon, Concerto Italiano/R. Alessandrini, Matheus/J-C Spinosi and Laboratorio '600/F. Pavan, now makes her first solo album. Exploring personal, highly experimental and empirical paths, she revives a fascinating musical practice that has been long lost. |
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No. of tracks: |
13 |
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Manufacturer No.: |
A451 |
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