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01. "Der Wanderer (Ich komme vom Gebirge her) op. 4 Nr. 1 D 493" 02. "Der Wanderer an den Mond (Ich auf der Erd, am Himmel du) D 870" 03. "Fahrt zum Hades (Der Nachen dr?hnt, Cypressen flüstern) D 526" 04. "Der Schiffer (Im Winde, im Sturme befahr ich den Fluß) op. 21 Nr. 2 D 536" 05. "An den Mond (Füllest wieder Busch und Tal) D 259" 06. "Des Fischers Liebesglück (Dort blinket durch Weiden) D 933" 07. "Der Musensohn (Durch Feld und Wald zu schweifen) op. 92 Nr. 1 D 764" 08. "Auf der Bruck (Frisch trabe sonder Ruh und Rast) D 853" 09. "Totengr?bers Heimwehe (Menschheit, o Leben) D 842" 10. "Im Abendrot (O wie sch?n ist deine Welt) D 799" 11. "Abendstern (Was weilst du einsam an dem Himmel) D 806" 12. "Der Wanderer (Wie deutlich des Mondes Licht) D 649" 13. "Im Frühling (Still sitz ich an des Hügels Hang) D 882" 14. "Auf der Donau (Auf der Wellen Spiegel schwimmt der Kahn) op. 21 Nr. 1 D 553" 15. "Willkommen und Abschied (Es schlug mein Herz) op. 56 Nr. 1 D 767"
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Andre Schuen/ Daniel Heide |
 | Description: | Andrè Schuen: "This time, as a point of departure, we chose the idea of â??wanderingâ?, of a â??journeyâ?, a â??pathâ?, and tried to come up with all possible variants. Three major themes emerged. On the one hand, we have Romantic â??wanderingâ? per se, which plays an important role in Schubert (as in Der Wanderer on a poem by Schlegel). Secondly, the path to the beloved as in Auf der Bruck as well as in Willkommen und Abschied. The third theme is the journey to the afterlife or to death, as in Totengräbers Heimwehand Im Abendrot. In my view, these three principle themes imbue our programme with a kind of ambivalence, reflecting a general ambivalence that is omnipresent in Schubert. - ANDRE SCHUEN/DANIEL HEIDEIf you take stock of all the lieder composed by Schumann, Brahms, Wolf, Mahler, Strauss, Debussy, and of course, Schubert, you will note that the majority are slow, meditative, contemplative. Virtuosity is not an essential part of the equation in the lied genre, at least not in the sense of rapid vocal coloraturas or thundering piano passages. The song automatically comes with a text included, and this opens up another world entirely. This has musical implications as well. In Schubert's case, a great poem whose verses convey a striking message is provided with a magnificently sensual musical frame that allows the text to exude a powerful influence on the listener. "Wandering," or, better yet, "strolling" through nature is part of the very essence of the Romantic poet, with all his loneliness and longing. He contemplates nature, he listens to the silence, he describes inner emotional states. "Wandering" could also imply a sort of movement, but in Schubert's lieder we are actually dealing with an individual subject who is moving, "wandering" through the time allotted to him on this earth. We are confronted with a series of snapshots, doubts, and fears. Whenever Schubert depicts the inner emotional state of the soul, he is always honest and truthful. This is Andre Schuen's third album. His first two have been rave-reviewed all over the globe. Schuen counts as one of the young stars in the world of vocalists, and not only participates in the highest level of festivals, but also in the world's biggest opera houses.Recording: X 2016, Villa Musica Rheinland-Pfalz, in Schloss Engers, Dianasaal
? 2016 &© 2018 Avi-Service for music, Cologne/Germany.
Made in Germany.
Digipak, 20-page booklet. |  | Manufacturer No.: |
AVI53373 |
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