| Bemerkungen / Titelliste: |
Aria del Tasso 01. ""Lieto Ti Prendo E Poi""
Sonata XVII in D Major 02. "Andante Cantabile "Di Se Senti"" 03. "Allegro Assai"
Sonata XVII in D Major
Aria del Tasso 04. "Aria del Tasso"
Sonata XVII in D Major
Furlana 05. "Furlana" 06. ""Depon Clorinda Le Sue Spoglie Inteste""
Sonata XXIV in D Major 07. "Andante Cantabile "Care dell'Idol Mio""
Sonata XXIV in D Major
Allegro Assai 08. "Allegro Assai"
Sonata XXIV in D Major
Aria Cantabile "Alla Stagion Novella" 09. "Aria Cantabile "Alla Stagion Novella""
Sonata XXIV in D Major
Presto "Amico il Fato, Guidami in Porto" 10. "Presto "Amico il Fato, Guidami in Porto""
Sonata XXIV in D Major
"Amico il Fato" 11. ""Amico il Fato""
Sonata XIII in B Minor 12. "Andante "Quanto Mai Felici Siete"" 13. "Allegro Assai"
Sonata XIII in B Minor
Giga, Allegro Affettuoso 14. "Giga, Allegro Affettuoso" 15. ""Intento Erminia Fra l'Ombrose Piante""
Sonata (Brainard A3) in A Minor 16. "Cantabile"
Sonata (Brainard A3) in A Minor
Allegro 17. "Allegro"
Allegro 18. "Allegro"
Sonata (Brainard A3) in A Minor
Giga 19. "Giga"
Sonata (Brainard A3) in A Minor
Tema con Variazioni 20. "Tema con Variazioni" 21. ""Solitario Bosco Ombroso""
Sonata II in B Minor 22. "Siciliana"
Sonata II in B Minor
Allegro 23. "Allegro"
Sonata II in B Minor
Allegro Affettuoso 24. "Allegro Affettuoso" 25. ""Solitario Bosco Ombroso""
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| Anzahl der Tonträger: |
1 |
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| Beschreibung: | Although Giuseppe Tartini was taught the first rudiments of music at the College of the Padri dell Scuole Pie in Capodistria, and may have received lessons in counterpoint from the Franciscan Bohuslav Cernohorsky in Assisi, many elements give the impression that the boy had an education that was anything but 'academic,' and that the future 'maestro delle nazioni' largely taught himself. However, there does exist a declared model for the music of Tartini, at least for a certain period: that of Corelli. His output seems dominated initially by the influence of his great predecessor in terms of both language and structure. The reference to folk music in his music is also obvious. Another interesting element in the sonatas presented on this release is the presence of mottoes of varying length placed next to the incipits of certain movements, and often written in a ciphered cuneiform alphabet invented by the composer. These are poetic quotations, mostly drawn from the works of Metastasio, although not all of them have been identified. At the end of this recording is one of Tartini's very rare vocal pieces, the last composition copied into MS 1888/1. The poem Solitario bosco ombroso, based on a clearly Petrarchan model and on the classical antecedents of Tibullus and Propertius, was published for the first time by the poet Paolo Rolli in London in 1727, in a musical setting by Rolli himself., Runningtime: 00:00:00, Artwork: Valérie Lagarde, Booklet Editor: Claire Boisteau, Coordinator [Editorial]: Amélie Boccon-Gibod, Cover: Aurelia Frey, Cover: plainpicture, Edited By: Alban Moraud, Executive-Producer: Didier Martin, Liner Notes: Stefano Aresi, Liner Notes [English Translation]: Charles Johnston, Liner Notes [French Translation]: Jean-François Lattarico, Liner Notes [German Translation]: Achim Russer, Producer, Engineer: Franck Jaffrès, Production Manager: Louise Burel, Soprano Vocals: Patrizia Bovi, Violin: Chiara Banchini, Composed By: Anonymous, Composed By: Giuseppe Tartini, Composed By: Anonymous, Composed By: Giuseppe Tartini, Composed By: Giuseppe Tartini, Composed By: Anonymous, Composed By: Paolo Antonio Rolli, Composed By: Giuseppe Tartini, Composed By: Giuseppe Tartini, Labelcode ALLP353.2 (Alpha 353), Published By Outhere Music, Phonographic Copyright (p) Zig Zag Territoires, Copyright (c) Alpha Classics, Copyright (c) Outhere Music France, Copyright (c) plainpicture, Copyright (c) Aurelia Frey |
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| Herstellernummer: |
ALPHA353 |
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Details zur Produktsicherheit
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