Flos Florum-Motetten, Hymnen & Anthiphone

Ensemble Musica Nova
Flos Florum-Motetten, Hymnen & Anthiphone

12,59 EUR  10,49 EUR
CD
Alpha
Lanzado en: 03/08/2018
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Entrega a US en: 13-17 días laborales (pedido)
Rango de ventas: #214859 en Otros de Pop
#229493 en Pop
Estilo: Otros de Pop
Número de artículo: 2098272106

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Comentarios / Titulos de las canciónes: MP3 Audio audición libre 01. "Salve-flos"
MP3 Audio audición libre 02. "Urbs beata"
MP3 Audio audición libre 03. "Flos florum"
MP3 Audio audición libre 04. "Ave regina caelorum (plain chant)"
MP3 Audio audición libre 05. "Ave regina caelorum"
MP3 Audio audición libre 06. "Ave regina reparatrix"
MP3 Audio audición libre 07. "Imperatrix angelorum"
MP3 Audio audición libre 08. "Ave maris stella"
MP3 Audio audición libre 09. "Inclita stella"
MP3 Audio audición libre 10. "Anima mea"
MP3 Audio audición libre 11. "Jesu corona"
MP3 Audio audición libre 12. "Ave virgo"
MP3 Audio audición libre 13. "Gaude virgo"
Cantidades: 1
Informaciones adicionales: Ensemble Musica Nova
Descripción:Like many of his contemporaries, Guillaume Dufay was greatly devoted to the Virgin Mary. His Marian works comprise liturgical pieces sung during the Mass or the Office, but also religious motets written to new poems. It was probably during his first period in the chapel of the dukes of Savoy that Dufay produced a complete cycle of polyphonic hymns for the Office of Vespers of the principal feasts. Their interpretation obeys the principle of alternatim chant, that is to say alternation between monophonic odd-numbered verses, sung in plainchant, and even-numbered polyphonic verses. Dufay employs here the techniques of composition already in use in the fourteenth century. The liturgical melody is sung in the highest voice but appears transformed according to the principles of paraphrase: the composer's inventive contribution, in this context, resides in the flexibility of the mensuration (often ternary) and the grace of his ornamentation. The other two, lower voices accompany it in a virtually homophonic style. The influence of the improvisatory practice known as 'fauxbourdon' is manifest. In it's simple form, the melody of the cantus is doubled by the tenor and the contratenor, respectively a sixth and a fourth lower. The result is a succession of highly characteristic chords, interrupted only for the cadences., Runningtime: 00:00:00, Bass Vocals: Marc Busnel, Composed By: Guillaume Dufay, Edited By: Alban Moraud, Ensemble: Ensemble Musica Nova, Mezzo-soprano Vocals: Caroline Magalhaes, Mezzo-soprano Vocals: Christel Boiron, Recording Supervisor, Recorded By: Franck Jaffrès, Recording Supervisor, Recorded By: Marie-Claude Vallin, Tenor Vocals: Lucien Kandel, Tenor Vocals: Thierry Peteau, Labelcode ALLP349.2 (ALPHA 349)
N° de fabricante: ALPHA349
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