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Trio fr Klavier, Violine und Violoncello Nr. 2 g-moll op. 26 01. Tetzlaff, Christian "1. Allegro moderato" 02. Tetzlaff, Christian "2. Largo" 03. Tetzlaff, Christian "3. Scherzo: Presto" 04. Tetzlaff, Christian "4. Finale: Allegro non tanto"
Quartett fr Klavier und Streichtrio a-moll op. 1 05. Weithaas, Antje "1. Allegro appassionato" 06. Weithaas, Antje "2. Adagio" 07. Weithaas, Antje "3. Allegro con fuoco"
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 | | Number of discs: |
1 |
| | Extra-Infos: |
Powell/ Tetzlaff/ Helmchen/ Hornung/ Dorken/ Weithaas |
| | Description: | Dvo?ák: ??In 1876, Dvo?ák jotted down the Trio in G Minor, op. 26, in a mere 16 days. By that time, some of his masterpieces, including the Moravian Duets and the Stabat Mater, were starting to gain wider recognition ?? but the encounter with Brahms, which would stabilize him as an artist and clarify his musical tendencies, only took place the following year. Thus, many passages in this trio seem to be groping for direction: as Dvo?ák specialist John Clapham once remarked, they are still musically ??insecure?. Still, certain traits in this trio already seem to reveal Dvo?ák??s profound affinity with Brahms on an instinctive level. Gradually emerging from a series of brief motifs, the first movement??s main theme is subjected to thematic treatment throughout. This movement is also the longest, lasting a total of twelve minutes. Its generally gloomy, sombre mood does not yet reflect the true personal style of he who would soon write the Slavonic Dances. Notwithstanding, certain cello cantilenas in the slow movement and towards the end of the sombre, violent scherzo offer a foretaste of the great melodic gifts that Dvo?ák would soon reveal to the world.
Suk: ???The composition Suk submitted for the final exam is none other than the Piano Quartet in A Minor, op. 1. The first movement??s disarming impetuousness engulfs the listener like a shock wave, betraying not only the influence of Brahms, the true doyen of Late Romantic chamber music, but also that of Dvo?ák, his own teacher. More significantly, however, a personal style already becomes noticeable in this work. The energetic introductory movement is followed by a clear contrast: a muted, nocturne-like, melodically intense Adagio that sets in with a warm cello cantilena. The second movement??s expressive middle section exudes a fairy-tale-like atmosphere, similar to the one in the incidental music that Suk would later compose for the play Radúz and Mahulena. The final movement begins with a march-like main theme that is alternated with contrasting episodes, thus giving the general structural impression of a rondo? (Excerpts from the Booklet by Pedro Obiera) - POWELL/TETZLAFF/HELMCHEN/HORNUNG/DORKEN/WEITHAASIn 1876, Dvorak jotted down the Trio in G Minor, op. 26 in a mere 16 days. By that time, some of his masterpieces, including the Moravian Duets and the Stabat Mater, were starting to gain wider recognition- but the encounter with Brahms, which would stabilize him as an artist and clarify his musical tendencies, only took place the following year. Thus, many passages in this trio seem to be groping for direction: as Dvorak specialist John Clapham once remarked, they are still musically "insecure." Still, certain traits in this trio already seem to reveal Dvorak's profound affinity with Brahms on an instinctive level. Gradually emerging from a series of brief motifs, the first movement's main theme is subjected to thematic treatment throughout. This movement is also the longest, lsating a total of twelve minutes. It's generally gloomy, somber mood does not yet reflect the true personal style of he who would soon write the Slavonic Dances. Notwithstanding, certain cello cantilenas in the slow movement and towards the end of the violent scherzo offer a foretaste of the great melodic gifts that Dvorak would soon reveal to the world. The Trio is coupled here with Joseph Suk's Piano Quartet in A Minor, op. 1. A student of Dvorak, Suk's piece shows a distinctly personal style almost completely separate from the style of his teacher. | | | Manufacturer No.: |
AVI53404 |
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