Lorna Windsor -Vox Sola-Music For Solo Voice -BRILLIANT CD Grooves.land/Playthek

Comentarios / Titulos de las canciónes:

01. "Only (Text: Rainer Maria Rilke)"
Correspondances (Auszug)

02. "Pour Baudelaire"
Tarde de poetas (Auszug)

03. "Surcar vemos (Text: Luis de G¢ngora)"
Einige S?tze aus den Sudelbüchern Georg Christoph Lichtenbergs op. 47

04. "Touropa"

05. "...an die aufgehende Sonne"

06. "Ein Gourmand"

07. "Koan"

08. "Ein merkwürdiger Gedanke"

09. "Dank"

10. "Gest?ndnis"

11. "Eine wichtige Bemerkung"

12. "Franklin, der Erfinder"

13. "Gebet"

14. "Alpenspitzen n?her der Sonne, aber kalt und unfruchtbar"

15. "Im Dunkel rot werden"

16. "Der gute Ton liegt dort eine Oktave niedriger"

17. "Das M?dchen hatte ein Paar sündlich sch?ne H?nde"

18. "Kirchtürme, umgekehrte Trichter, das Gebet in den Himmel zu leiten"

19. "Als unsere selige Kuh noch lebte, sagte einmal eine Frau in G?ttingen"

20. "Ein einschl?friger Kirchstuhl"

21. "Ein M?dchen kaum zw?lf Moden alt"
Sette Fogli (Auszug)

22. "Lettura di Braibanti"

23. "A song of the sea"
Der Turm zu Babel

24. "Kaj la Eternulo mallevigis"

25. "Wajomer Adonai..."

26. ""Venez donc""

27. "In fremder Schrift"

28. "O Senhor disse"

29. "Now Yahweh said"

30. "Und dann sagte der Herr"

31. "Ve ?dem ogullarinn yapmakta"

32. "In angustiis II"

Cantidades:

Informaciones adicionales:

Works By Feldman/ Pousseur/ De Pablo/ Kurtag/ Busotti A.o.

Descripción:

Lorna Windsor's selection of eight 20th and 21st-century composers highlights how the voice incarnates different expressive forms more than any instrument. Left naked in it's primeval state, the voice leads each composer to rediscover his personal voice, unfettered by convention. Six of the eight composers represented here were born within the same five years, from 1926 (Kurtág and Feldman) to 1931 (Bussotti, Kagel), in 1929 Pousseur, in 1930 de Pablo. Andriessen was born slightly after in 1939 whilst only Macmillan (b.1959) belongs to the following generation. Bold simplicity is the keynote of Feldman's brief setting of Rilke, Only: purely diatonic across it's two minute span, whereas Henri Pousseur's equally concise tribute to Baudelaire uses a 12-tone technique to create the illusion of diatonicism. In the hands of Luis de Pablo, Góngora's evocation of a flight of storks creating patterns in the sky, is suggested by melismatic use of the voice, with arpeggios and filigree in quasi-instrumental notation, with arabesque-like writing which hints at distant Arabic hues of flamenco. In Einige Sätze aus den Sudelbüchern Georg Christoph Lichtenbergs, György Kurtág set the caustic aphorisms of a18th-century German physicist and writer with lightning flashes of insight and expression. By contrast, A Song of the Sea by Louis Andriessen requires the singer to sit (in performance) with a doll on her lap as she tells a sad little story with a simplicity redolent of folksong. Bussotti and Kagel both made far more thoroughgoing exploration of vocal technique in the Lettura di Braibanti and The Tower of Babel respectively. Lorna Windsor closes her recital with the most extended work on the album: in angustiis II, a lament by James Macmillan which presents a grief-stricken image of humanity crying out to God. She is a specialist in early and contemporary repertoire who can call upon several languages as mother tongues., Runningtime: 00:00:00, Labelcode BRLT95791.2

N° de fabricante:

1095791BRC

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