Café Zimmermann -op.7 Concerti Grossi -Alpha CD Grooves.land/Playthek

详情/曲目清单：

Concerto in D Major, H. 115

01. "I. Andante"

02. "II. L'Arte della Fuga, a 4 parte reale"

03. "III. Anantino - Adagio"

04. "IV. Allegro Moderato"
Concerto in D Minor, H. 116

05. "I. Grave"

06. "II. Allegro assai"

07. "III. Andante"

08. "IV. Allegro"
Concerto in C Major, H. 117

09. "I. Francese Presto"

10. "II. Inglese Andante"

11. "III. Italiano Allegro assai"
Concerto in D Minor, H. 118

12. "I. Andante"

13. "II. Andante - Adagio"

14. "III. Allegro - Adagio - Allegro"
Concerto in C Minor, H. 119

15. "I. Andante"

16. "II. Allegro - Grave"

17. "III. Allegro"
Concerto in B flat Major, H. 120

18. "I. Allegro moderato - Adagio - Andante - Andante"

19. "II. Adagio - Presto"

20. "III. Affettuoso - Andante"

21. "IV. Allegro Moderato"

22. "V. Andante - Adagio - Allegro assai - Adagio - Presto"

光盘数量：

额外信息：

Cafe Zimmermann / Akl 2018

描述：

The musicians featured on this new release write: "For some years now we have been interested in the experiments of composers on the frontiers of Baroque musical language. The music of the sons of Bach and especially of Carl Philipp Emanuel has already come to fascinate us, and we had the same urge to discover and let ourselves be surprised when we decided to tackle Geminiani. To immerse ourselves in his op.7 was an exciting process, questioning our experience of Baroque music and rousing the enthusiasm of all the musicians of Café Zimmermann." (Celine Frisch, harpsichord) "WHAT?!" was the first stunned reaction of the musicians after reading through Geminiani's Concertos op.7. A composition that is invariably controversial, at once surprising and familiar. Then it was a new discovery with each concerto, with different textures and styles from one movement to the other. This music led us along unexpected paths from the church to the theatre, from Italy to France, from the seventeenth century to the eighteenth." (Pablo Valetti, violin) "Geminiani's music reflects my state of mind, one foot in the seventeenth century and the other in the eighteenth. The rhetoric and architecture it employs are still compatible with the Baroque. But the choice and exploration of emotions are already very new, similar to the way we feel today. This state of inner contradiction was probably not always understood by Geminiani's contemporaries, but it is exactly what we look for and admire nowadays." (Petr Skalka, cello), Runningtime: 00:00:00, Labelcode ALLP396.2

Manufacturer No.:

ALPHA396

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