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1-01: Ave Maria Dive Matris Anne (11:17)
1-02: Magnificat (13:38)
1-03: Gaude Virgo Matris Christi (12:02)
1-04: Quales Sumus O Miseri (12:13)
1-05: Ave Maria Ancilla Trinitatis (14:36)
: A Mass For Saint Margaret ()
2-01: Introit: Me Expectaverunt Peccatores (4:08)
2-02: Kyrie XII (Conditor) (2:26)
2-03: Gloria / Missa Regnum Mundi (9:40)
2-04: Gradual: Specie Tua (4:35)
2-05: Alleluya: Veni Electa Mea (2:45)
2-06: Credo / Missa Regnum Mundi (9:18)
2-07: Offertory: Offerentur Regi Virgines (1:25)
2-08: Sanctus / Missa Regnum Mundi (13:26)
2-09: Agnus Dei / Missa Regnum Mundi (7:17)
2-10: Communion: Feci Iudicium (1:15)
2-11: Ite Missa Est (0:43)
2-12: Votive Antiphon: Salve Regina (22:42)
3-01: Ave Fuit Prima Salus (19:17)
3-02: Kyrie Cunctipotens Genitor ? Sarum Plainchant (3:07)
: Missa Inclina Cor Meum ()
4-01: Ave Cujus Conceptio (8:51)
4-02: Kyrie Deus Creator Omnium ? Sarum Plainchant (2:27)
: Missa Spes Nostra ()
4-07: Stabat Mater (17:51)
5-01: Exultet In Hac Die (3:31)
5-02: Ave Maria Mater Dei (4:40)
5-03: Ve Nobis Miseris (12:46)
5-04: Kyrie Orbis Factor ? Sarum Plainchant (2:10)
: Missa Sine Nomine () |
| | Number of discs: |
1 |
| | Extra-Infos: |
Music From The Peterhouse Partbooks |
| | Description: | The 5-release project The Lost Music of Canterbury: Music from the Peterhouse Partbooks is the capstone of a landmark project of international musical significance which presents extraordinary music from the last generation of medieval Catholicism in England. Judged by this music, Catholic culture remained vital and confident during this turbulent period. The fifth release in the set, released in 2017, was a Gramophone Editors Choice and Critics Choice, and was also shortlisted for the magazine's 2018 Early Music award. Fabrice Fitch called it "one of the discoveries of the year." The set includes mostly world premiere recordings and features masses by Nicholas Ludford, antiphons by Hugh Aston and Richard Pygott, the complete surviving works of Robert Jones, and the gifted though previously completely unknown composers Hugh Sturmy and Robert Hunt, and all but one of the surviving works of John Mason. The missing tenor parts have been supplied by Nick Sandon, who has dedicated much of his professional life to the Peterhouse partbooks, which were copied for Canterbury Cathedral in 1540 and are now named for the college currently housing them, Peterhouse Cambridge.Special credits for editing text and composition (as distinct from editing recordings):
Edited by Nick Sandon: 1-03, 2-02, 2-11, 3-02, 4-02, 5-04
Edited and completed by Nick Sandon: 1-01, 1-02, 1-04, 1-05, 2-03, 2-06, 2-08, 2-09, 2-12
Edited and restored by Nick Sandon: 3-01, 3-03 to 3-06, 4-01, 4-07, 5-01 to 5-03, 5-05 to 5-08
Edited by Scott Metcalfe: 2-01, 2-04, 2-05, 2-07, 2-10
Disc 1 recorded September 6?11, 2009 at the Church of the Redeemer, Chestnut Hill, Massachusetts; see also [r=16923390].
Disc 2 recorded September 18?21, September 26-27 & October 8, 2011, Church of the Redeemer, Chestnut Hill, Massachusetts; see also [r=16922358]
Disc 3 recorded September 21-22 and October 22-23 and 25-26, 2012 at Church of the Redeemer, Chestnut Hill, Massachusetts; see also [r=17531761].
Disc 4 recorded October 14-15 & 21-26, 2013, at the Church of the Redeemer, Chestnut Hill, Massachusetts; see also [r=22354753].
Disc 5 recorded October 19-20 & 24-25, 2014 (5-02, 5-05 to 5-08) and September 18-20, 2016 (5-01, 5-03) at the Church of the Redeemer, Chestnut Hill, Massachusetts; see also [r=14718342].
[url=https://www.blueheron.org/wp-content/uploads/2019/01/BH1008_webbooklet.pdf]Digital liner notes[/url] are available online."The Lost Music of Canterbury" is a captivating CD that brings to life the forgotten choral masterpieces from medieval England, performed by Aston and the acclaimed vocal ensemble Blue Heron. This album revives rare works associated with Canterbury Cathedral, offering listeners an immersive journey into sacred music spanning centuries. The performances are marked by meticulous scholarship and expressive artistry, revealing intricate harmonies and spiritual depth unique to this repertoire. Blue Heron, both artist and producer for this release, has garnered international acclaim for their historically informed interpretations of Renaissance polyphony. Their previous projects have won prestigious awards such as the Gramophone Classical Music Award and recognition from Early Music America. As a label, Blue Heron is dedicated to uncovering lost gems of early music through research-driven recordings that set new standards in authenticity and emotional impact. | | | Manufacturer No.: |
BHCD1008 |
| Product Safety
Responsible Person for the EU:
Ten Dance Media GmbH
Boxhagener Str. 106, 10245 Berlin, DE
gpsr@tendance.de | |
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Sacred Music
1.218
