| 详情/曲目清单： |
Consort Music of Five and Six Parts, Musica Britannica MB 81 01. "Fantasia No. 2 ? 6"
Four-Part Fantasias for Viols, Musica Britannica MB 62 02. "Fantasia No. 15 ? 4"
Consort Music of Five and Six Parts, Musica Britannica MB 81 03. "Pavan No. 2 On Seven Notes ? 5" 04. "Almaine No. 10 ? 5"
Lessons for 1, 2 and 3 Viols, London 1609 05. "Galliard for two viols in the first tuning" 06. "Almain for two lyra viols in the first tuning"
Four-Part Fantasias for Viols, Musica Britannica MB 62
Fantasia No. 9 ? 4 07. "Fantasia No. 9 ? 4" 08. "Fantasia No. 13 ? 4"
Consort Music of Five and Six Parts, Musica Britannica MB 81
In Nomine 09. "In Nomine No. 1 ? 5"
Lessons for 1, 2 and 3 Viols, London 1609 10. "A Pavin for three viols in the second tuning" 11. "Almain for one lyra viol" 12. "Coranto for one lyra viol"
Consort Music of Five and Six Parts, Musica Britannica MB 81 13. "Fantasia No. 4 ? 6" 14. "Ut re mi fa sol la - La sol fa mi re ut ? n5"
Four-Part Fantasias for Viols, Musica Britannica MB 62 15. "Fantasia No. 4"
Consort Music of Five and Six Parts, Musica Britannica MB 81 16. "Fantasia No. 6 ? 6"
Lessons for 1, 2 and 3 Viols, London 1609 17. "A Fancie for three viols in the third tuning"
Four-Part Fantasias for Viols, Musica Britannica MB 62 18. "Fantasia No. 11 ? 4"
Consort Music of Five and Six Parts, Musica Britannica MB 81 19. "In Nomine No. 3: Through All Parts ? 6"
Lessons for 1, 2 and 3 Viols, London 1609 20. "Prelude for one lyra viol" 21. "Pavin for one lyra viol"
Consort Music of Five and Six Parts, Musica Britannica MB 81 22. "Fantasia On the Hexachord ? 6"
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| 光盘数量： |
1 |
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| 额外信息： |
.. Ferrabosco The Younger / Romina Lischka |
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| 描述： | Alfonso Ferrabosco the Younger, viol player at the court of Elizabeth I and Charles I, was the most innovative and influential composer of viol consort music of his generation. Following the steps of his father, composer Alfonso Ferrabosco the Elder, he continued the specifically English "In Nomine" tradition for viol consort into the seventeenth century while adding his own special touch in the "In Nomine through all parts" in using the cantus firmus in all voices with various rhythms and transpositions. His greatest achievement was the development of an imitative counterpoint perfectly adapted to the viol. The particular character of Ferrabosco's music was determined by his love for architecture and symmetrical forms which were integrated in all possible ways into his Fantasies: flexible motives, augmentations and diminutions of themes and a clear harmonic structure. On this release, the Hathor Consort explores his works., Runningtime: 00:00:00, Labelcode RMEE1806.2 |
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| Manufacturer No.: |
RAM1806 |
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