Details / Tracklist: |
01. "Blues (Deliver my soul)" Blue/s Forms (für Violine solo) 02. "Nr. 1 Plain Blue/s" 03. "Nr. 2 Just Blue/s" 04. "Nr. 3 Jettin' Blue/s" 05. "Louisiana Blues Strut (A Cakewalk) (für Violine solo)" Suite für Violine und Klavier 06. "1. Suggested by Richmond Barthe's "African dancer"" 07. "2. Suggested by Sargent Johnson's "Mother and child"" 08. "3. Suggested by Augusta Savage's "Gamin"" A set of Dance Tunes (für Violine solo) 09. "Nr. 1 Walk around " Brudder Bones"" 10. "Nr. 2 Neumedia" 11. "Nr. 3 Little Diamond / Bird on the Wing Jigs" 12. "Nr. 4 New Orleans Clog" 13. "Nr. 5 "New Orleans" Clog Blues" 14. "Levee Dance" 15. "In a Sentimental Mood" Blues Dialogues (für Violine solo) 16. "Nr. 1 Blues feeling" 17. "Nr. 2 Expressive" 18. "Nr. 3 Fast and funky" 19. "Nr. 4 Moderately fast" 20. "Woogie Boogie" 21. "Incident on Larpenteur Avenue" 22. "Filter for Unaccompanied Violin" 23. "A Song Without Words"
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Number of discs: |
1 |
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Extra-Infos: |
Matthew Hagle |
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Description: | Blues Dialogues is an album by Rachel Barton Pine, released in 2018. The album is a classical CD. - MATTHEW HAGLEViolinist Rachel Barton Pine, "an exciting, boundary-defying performer" (Washington Post) known for her "bravura technique and soulful musicianship" (New York Times), headlines a groundbreaking album of blues-influenced classical works for violin and violin and piano by 20th and 21st century composers of African descent. World-premiere recordings include Noel Da Costa's 'A Set of Dance Tunes for Solo Violin,' based on American fiddle tunes; Daniel Bernhard Roumain's 'Filter,' which conjures the sounds of electronic dance music and psychedelic guitar; Errollyn Wallen's 'Woogie Boogie,' a humorous and inventive reimaging of the boogie woogie blues dance; and Billy Childs's 'Incident,' a single-movement violin sonata / tone poem written as a response to a fatal shooting by police. Another premiere is Wendall Logan's violin and piano arrangement of Duke Ellington's 1935 composition, 'In a Sentimental Mood.' The album's title track, Dolores White's improvisational 'Blues Dialogues,' draws on classical, jazz, and country music, as well as African-American vocalizations and a blues harmonic language. David N. Baker's gospel-tinged 'Blues (Deliver My Soul)' evokes the ecstatic energy of a Black church service. Charles S. Brown's 'A Song Without Words' was inspired by bottleneck guitar player and gospel blues master Blind Willie Johnson. Each movement of William Grant Still's 'Suite for Violin and Piano' evokes the work of a different African-American visual artist. Clarence Cameron White's 'Levee Dance, Op. 26, No. 2,' a favorite of violin virtuoso Jascha Heifetz, surrounds a traditional African-American spiritual with a playful, syncopated dance. Coleridge-Taylor Perkinson's 'Blue/s Forms' and 'Louisiana Blues Strut' befit a composer with a legacy of achievements in the classical, jazz, modern dance, and pop music worlds. |
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No. of tracks: |
27 |
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Manufacturer No.: |
CDR90000182 |
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Product Safety
Responsible Person for the EU:
Cedille Records 4311 N Ravenswood Ave #209, 60613 Chicago, US info@cedillerecords.org |
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