| Bemerkungen / Titelliste: |
Disc 01
Vespro della Beata Vergine 01. "I. Intonatio: Deus in adjutorium meum intende" 02. "II. Responsorium: Domine ad adjuvandum me festina" 03. "III. Antiphona: Dum esset rex" 04. "IV. Psalmus 109: Dixit Dominus" 05. "V. Antiphona: Dum esset rex" 06. "VI. Concerto: Nigra sum" 07. "VII. Antiphona: Laeva ejus" 08. "VIII. Psalmus 112: Laudate pueri" 09. "IX. Antiphona: Laeva ejus" 10. "X. Concerto: Pulchra es" 11. "XI. Antiphona: Nigra sum" 12. "XII. Psalmus 121: Laetatus sum" 13. "XIII. Antiphona: Nigra sum" 14. "XIV. Concerto: Duo seraphim" 15. "XV. Antiphona: Jam hiems transiit" 16. "XVI. Psalmus 126: Nisi Dominus" 17. "XVII. Antiphona: Jam hiems transiit" 18. "XVIII. Concerto: Audi coelum" 19. "XIX. Antiphona: Speciosa facta es" 20. "XX. Psalmus 147: Lauda Jerusalem" 21. "XXI. Antiphona: Speciosa facta es"
Disc 02
Fiori Musicali 01. "Toccata avanti il recercar" 02. "Recercar con obligo di cantar la quinta parte senza toccarla"
Vespro della Beata Vergine 03. "XXII. Hymnus: Ave maris stella" 04. "XXIII. Antiphona: Beatam me dicent omnes generationes" 05. "XXIV.Magnificat secondo"
|
 |
| Anzahl der Tonträger: |
2 |
|
| Beschreibung: | The present recording constitutes more than just a new version of the Vespers. It is the first recording of the Vespers in the alternative version proposed by the composer, without concertato instruments. It reveals the underlying matrix of the work we all know, the 'original version' to which Monteverdi added concertato instruments for use in large-scale performances. Respecting the structure of the Office of Vespers, Ludus Modalis has chosen to frame the psalms with the antiphons corresponding to a Marian ceremony. The interpretation proposed here is one influenced by the Renaissance tradition. It places the work in perspective in a musical world at the point of equilibrium between prima and seconda prattica, between the achievements of tradition and the contributions of modernity. Ludus Modalis is a professional ensemble of five to twelve singers formed around the tenor Bruno Boterf. The group focuses principally on polyphonic Renaissance and early Baroque repertoire, with incursions into contemporary music. Apart from the absence of a conductor in the standard sense, the ensemble's specificity and it's 'sound blend' are the fruits of thoroughgoing attention to the parameters of a cappella polyphony: the development of an intonation aimed towards achieving a clarity of harmonic intervals; the attention paid to the text on the basis of the declamation and historical pronunciation; and the richness of the sonority achieved through the use of a variety of vocal timbres and colors, as well as a subtle mix of female, male, and even children's voices., Runningtime: 00:00:00, Alto Vocals: Alice Habellion, Alto Vocals: Corinne Bahuaud, Bass Viol: Mélusine De Pas, Bass Vocals: Benoît Descamps, Bass Vocals: Jean-Claude Sarragosse, Bass Vocals: Matthieu Heim, Composed By: Claudio Monteverdi, Cornett [Bass Cornett]: Volny Hostiou, Directed By: Bruno Boterf, Ensemble: Ludus Modalis, Harpsichord: Jean-Luc Ho, Organ: Anne-Marie Blondel, Photography By: Jean Rault, Recorded By, Edited By, Mastered By: Rainer Arndt, Sackbut [Bass Sackbut]: Franck Poitrineau, Soprano Vocals: Alice Duport-Percier, Soprano Vocals: Anne Magouët, Soprano Vocals: Edwige Parat, Soprano Vocals: Kaoli Isshiki, Soprano Vocals: Mélusine De Pas, Tenor Vocals: Bruno Boterf, Tenor Vocals: Serge Goubioud, Tenor Vocals: Vincent Bouchot, Composed By: Girolamo Frescobaldi, Composed By: Girolamo Frescobaldi, Labelcode RMEE1702.2 (RAM 1702, RAM 1702), Phonographic Copyright (p) Outhere, Copyright (c) Outhere, Recorded At Eglise Saint Cybard de Pranzac, Made By Sony DADC, Made By Sony DADC |
|
| Herstellernummer: |
RAM1702 |
|
Details zur Produktsicherheit
Verantwortliche Person für die EU:
OUTHERE SA
Rue de l\'Épargne 29, 1000 Brüssel, BE
info@outhere-music.com |
|
Pop International
251.499
