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Disc 01
Messe c-moll KV 427 (417a) (Große Messe) (Vervollst?ndigung von Clemens Kemme) 01. Landshamer, Christina "Kyrie eleison: Andante moderato" 02. Landshamer, Christina "Glroia in excelsis Deo: Allegro vivace" 03. Landshamer, Christina "Laudamus te: Allegro aperto" 04. Landshamer, Christina "Gratias agimus tibi: Adagio" 05. Landshamer, Christina "Domine Deus: Allegro moderato" 06. Landshamer, Christina "Qui tollis: Largo" 07. Landshamer, Christina "Quoniam tu solus sanctus: Allegro" 08. Landshamer, Christina "Jesu Christe - Cum Sancto Spiritu: Adagio - Allegro" 09. Landshamer, Christina "Credo in unum Deum: allegro meastoso" 10. Landshamer, Christina "Et incarantus est: Andante" 11. Landshamer, Christina "Sanctus - Osanna: Largo - Allegro comodo" 12. Landshamer, Christina "Benedictus - Osanna: Allegro comodo"
Disc 02
Wege zur Musik: Mozart's c-moll-Messe 01. Hacker, Norman "Junger herrliche Torso (1. Teil: Der herrliche Torso)" 02. Hacker, Norman "Die Votivgabe" 03. Hacker, Norman "Lücken und Fragmente" 04. Hacker, Norman "Ein tugendhaftes und gef?lliges Weib" 05. Hacker, Norman "Was ist Aufkl?rung?" 06. Hacker, Norman "Emanzipation, Erfolg und Neuanfang (2. Teil: Mozart aif Freiersfüßen)" 07. Hacker, Norman "Liebe und Fugen" 08. Hacker, Norman "Nichts als H?ndel und Bach" 09. Hacker, Norman "Freundschaften und Opernpl?ne" 10. Hacker, Norman "Arien und Familienkonflikte" 11. Hacker, Norman "Salzburger Trag?die (3. Teil: Salzburg und die Nachwelt)" 12. Hacker, Norman "Erstaufführung zu Sankt Peter" 13. Hacker, Norman "Parodie im Burgtheater" 14. Hacker, Norman "Frau Witwe Mozart" 15. Hacker, Norman ""...gleich einer Reliquie""
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| | Number of discs: |
2 |
| | Extra-Infos: |
Akademie Fur Alte Musik Berlin/ Arman/ Landshamer |
| | Description: | Messe C-Moll Kv427 by Wiener Philharm Peter Schmidl, released 1 November 2018.
This version of Messe C-Moll Kv427 comes as a 1xCD. - AKADEMIE FUR ALTE MUSIK BERLIN/ARMAN/LANDSHAMERWritten in 1782, Mozart's Mass in C minor - although incomplete - ranks as one of the outstanding Mass settings in European music history. The very recent reconstruction/completion of the Mass by Clemens Kemme in the spring of 2018 confines itself to the original sources, avoiding any arbitrary additions. The work was recorded in this critically acclaimed version for the Bayerischer Rundfunk during the summer of 2018, and conducted by Howard Arman. This album is thus the first recording of the definitive version of this new and intelligently edited reconstruction of Mozart's Mass in C minor. An introduction to the work is also included, enabling this masterpiece to be approached from new perspectives. In Vienna in the summer of 1782, Mozart started writing a new Mass despite having apparently received no commission to do so. On August 4, 1782 he married Constanze Mozart, and from his correspondence it appears that he had made himself a promise to "have a newly-composed mass performed in Salzburg if he brought her there as his wife." The work may have been performed on October 26, 1783 in St. Peter's Church in Salzburg, with Constanze as the soprano soloist; concrete evidence of such a performance is however lacking. Nevertheless, the Mass can probably be seen as a kind of votive offering for Constanze. The fact that the work was not completed may be due to the church music reforms implemented by the Emperor Joseph II, who preferred sacred music to be performed on a smaller scale. In 1785, Mozart eventually reworked the "Kyrie" and "Gloria" from the mass for his cantata Davide penitente.The CD "Messe in c-moll, KV 427" presents one of Wolfgang Amadeus Mozart's most profound and ambitious sacred works, performed by the distinguished soloists Christiane Karg (Landshamer), Okka von der Damerau (Vondung), Steve Davislim, and the renowned Chor des Bayerischen Rundfunks. This recording captures the grandeur and spiritual depth of Mozart?s unfinished masterpiece with exceptional clarity and emotional intensity. The artists involved are celebrated for their expressive interpretations: Christiane Karg has received international acclaim for her luminous soprano; Okka von der Damerau is known for her powerful mezzo-soprano performances; Steve Davislim stands out as a versatile tenor on major opera stages worldwide; while the Chor des BR is recognized as one of Europe?s leading choirs, praised for its precision and warmth. Released by BR-Klassik, a label synonymous with high-quality classical recordings from Munich?s Bavarian Broadcasting Corporation, this album exemplifies their commitment to artistic excellence and authentic sound. | | | Manufacturer No.: |
900917 |
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