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Otros productos de Mariss Jansons / BRSO |
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Le sacre du printemps (Das Frühlingsopfer) (Ballett) (Fassung 1947) 01. "1. Introdiktion (1. Teil: Anbetung der Erde)" 02. "2. Vorboten des Frühlings. Tanz der jungen M?dchen" 03. "3. Spiel der Entführung" 04. "4. Frühlungsreigen" 05. "5. Spiele der feindlichen St?mme" 06. "6. Prozession des Wesien" 07. "7. Anbetung der Erde" 08. "8. Tanz der Erde" 09. "9. Introduktion (2. Teil: Das Opfer)" 10. "10. Geheimnisvolle Kreise der jundgen M?dchen" 11. "11. Verherrlicjung der Auserw?hlten" 12. "12. Anrufung der Ahnen" 13. "13. Weihevolle Nadlung der Ahnen" 14. "14. Opfertanz (Die Auserw?hlte)" Der Feuervogel (Ballettsuite für Orchester) 15. "1. Introduktion" 16. "2. Pr?ludium und Tanz des Feuervogels" 17. "3. Varationen des Feuervogels" 18. "4. Pantomime I" 19. "5. Pas de deux (Feuervogel und Iwan Zarewitsch)" 20. "6. Pantomime II" 21. "7. Scherzo (Tanz der Prinzessinnen)" 22. "8. Pantomime III" 23. "9. Rondo (Chorovod)" 24. "10. H?llentanz" 25. "11. Wiegenlied des Feuervogels" 26. "12. Schlusshymne"
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S.o. Des Bayerischen Rundfunks/ Jansons |
 | | Descripción: | Before the First World War, especially for the famous ballet ensemble "Les Ballets Russes", one of the most important dance companies of the 20th century, and it's impresario Sergei Diaghilev, Igor Stravinsky composed the first three of his great ballet music works for large orchestra, indeed, the most important of his ballets in general: "L'oiseau de feu" (The Firebird) in 1910, "Petrushka" in 1911, and "Le sacre du printemps" (The Rite of Spring) in 1913. The first of these ranks as a pioneering work of the early 20th century - and the third, regarded as a key work of 20th-century music due to it's extraordinary rhythmic and tonal structures, can both be experienced on this new release from BR-KLASSIK - in live recordings with the Symphonieorchester des Bayerischen Rundfunks under it's chief conductor Mariss Jansons, and in masterly interpretations. Diaghilev, a formative figure in 20th-century ballet, had founded the Ballets Russes ensemble in 1909 in Paris, where it first performed before moving to Monte Carlo in 1911. The first performance of Stravinsky's "Firebird" took place on June 25, 1910 at the Paris Opera House, and "Le sacre du printemps" premiered on May 29, 1913 in the newly-built Théâtre des Champs-Élysées - a day that went down in history as one of the great artistic scandals of the 20th century. The furious protests from the Parisian public combined with the highly negative critical reviews all ended up making Stravinsky famous. His truly futuristic music has now established itself internationally and is an integral part of concert programs, and one can still hear why it so enraged audiences over 100 years ago. ("The Firebird" can be heard in Stravinsky's ballet version of 1945.), Runningtime: 00:00:00, Composed By: Igor Stravinsky, Conductor: Mariss Jansons, Editor: Bernadette Rüb, Editor: Leonie Wagner (2), Editor [Editorial]: Thomas Becker (4), Engineer: Klemens Kamp, Liner Notes: Thomas Schulz (6), Liner Notes [Translation]: David Ingram (2), Mastered By: Christoph Stickel, Orchestra: Symphonie-Orchester Des Bayerischen Rundfunks, Photography By: Astrid Ackermann, Photography By: Fred Lindinger, Photography By: Markus Dlouhy, Photography By: Peter Meisel, Producer [Recording]: Wilhelm Meister, Labelcode BRKK900168.2 (900168), Phonographic Copyright (p) BRmedia Service GmbH, Copyright (c) BRmedia Service GmbH"Le sacre du printemps", obra orquestal revolucionaria compuesta por Ígor Stravinski, se presenta aquí en una excepcional grabación en CD bajo la dirección del maestro Mariss Jansons y con la Orquesta Sinfónica de la Radio Bávara (BRSO). Esta interpretación captura toda la energía salvaje y complejidad rítmica que han convertido esta partitura para ballet en una pieza clave e influyente del siglo XX musicalmente hablando. El rendimiento destaca tanto por su precisión como por su pasión renovando el espíritu innovador concebido por Stravinski. Br-Klassik es reconocido internacionalmente por sus grabaciones clásicas de alta calidad y su estrecha colaboración con los principales conjuntos alemanes; cada lanzamiento garantiza excelencia artística y fidelidad sonora sobresaliente. Considerado uno de los directores más importantes del mundo contemporáneo, Mariss Jansons cosechó numerosos éxitos junto al BRSO obteniendo reconocimiento mundial gracias a sus interpretaciones profundas y premiadas. |  | | N° de títulos: |
26 |
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900168 |
 | Seguridad del producto
Persona responsable para la UE:
BRmedia GmbH Hopfenstr. 4, 80335 München, DE info@br-media.de |  |
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