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 01. "Cybervariation für Violine, Viola, Violoncello, Bass und Klavier (nach Schuberts "Forellenquintett") (2018)"
Quintett für Klavier, Violine, Viola, Violoncello und Bass A-Dur op. 114 D 667 "Forellenquintett" 02. "1. Allegro vivace" 03. "2. Andante" 04. "3. Scherzo: Presto" 05. "4. Thema: Andantino" 06. "5. Allegro giusto" 07. "Teich und Quelle (für Violine, Viola, Violoncello, Bass und Klavier) (2018)" 08. "Nachtrag zu Franz Schuberts Forellenquintett (für Violine, Viola, Violoncello, Bass und Klavier) (2017/18)" 09. "Der Forellenteich (Eine Variation nach dem Thema des Liedes "Die Forelle") op. 23" 10. "Lichtwasser (Kirkasvetinen) (für Violine, Viola, Violoncello, Bass und Klavier) (2018)"
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Works By Schubert & Cruixent |
| | Description: | Five contemporary Variations onSchubertâ??s Trout Quintet. A singular project. Silke Avenhaus had wanted to record Schubertâ??s Trout Quintet for a long time. Now five European composers were additionally asked to quasi-casually prolong Schubertâ??s ambivalences into the present by supplying their own variations. The commission called for works that were to be limited in length, and each composer was asked to focus his attention on a particular instrument. Although all of their pieces are based on the Trout theme, the resulting works vary utterly in terms of character and tempo. As Avenhaus puts it, this is a â??godsendâ?. The new compositions can be grasped as individual movements of a contemporary Trout quintet,but one can also combine them in several different ways.
Is this a â??sunny pieceâ?? Cheerful? Carelessly babbling like a brook? It tends to be exclusively associated with positive images, but pianist Silke Avenhaus, the initiator of the â??Trout Projectâ?, contrasts all of this with the workâ??s fundamental ambivalence. In Schubertâ??s quintet she finds a mixture of lightness and melancholy. The first movementâ??s insouciance, for instance, is almost casually obliterated in the second one. Schubert does not hold fast to any mood or attitude for long: ambivalence continues to hold sway, and it is a trait she particularly appreciates.
The double bass and the cello form a strong bass section in this particular piano quintet. The line-up may have been unusual and difficult to score in terms of timbre, but Schubert skillfully made best of the situation by expanding the range of different sonorities to the maximum. The low strings fathom the underground. Conversely, the piano, often playing in octaves for long stretches in the upper range, carries out the assigned role of shining brightly on the mountain peaks. The middle range is tenderly filled out by the other strings. The resulting musical texture seems to float in midair. (from the lines notes by Elgin Heuerding)
Danjulo Ishizaka - Cello
Rick Stotijn - Double bass
Silke Avenhaus - Piano
Lena Neudauer - Violin - WORKS BY SCHUBERT & CRUIXENTSilke Avenhaus had wanted to record Schubert's Trout Quintet for a long time. Now five European composers were additionally asked to quasi-casually prolong Schubert's ambivalences into the present by supplying their own variations. The commission called for works that were to be limited in length, and each composer was asked to focus his attention on a particular instrument. Although all of their pieces are based on the Trout theme, the resulting works vary utterly in terms of character and tempo. As Avenhaus puts it, this is a "godsend." The new compositions can be grasped as individual movements of a contemporary Trout quintet, but one can also combine them in several different ways. The double bass and the cello form a strong bass section in this particular piano quintet. The line-up may have been unusual and difficult to score in terms of timbre, but Schubert skillfully made best of the situation by expanding the range of different sonorities to the maximum. The low strings fathom the underground. Conversely, the piano, often playing in octaves for long stretches in the upper range, carries out the assigned role of shining brightly on the mountain peaks. The middle range is tenderly filled out by the other strings. The resulting musical texture seems to float in midair. | | | Manufacturer No.: |
AVI53408 |
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Bertus Musikvertrieb
Bertus Musikvertrieb
Akeleibaan 59, 2908 KA Capelle aan den Ijssel, NL
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