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1-1: Eccentric (2:51)
1-2: Farewell Blues (2:35)
1-3: Discontented Blues (2:37)
1-4: Bugle Call Blues (2:18)
1-5: Panama (2:35)
1-6: Tiger Rag (2:26)
1-7: Livery Stable Blues (2:25)
1-8: Oriental (2:33)
1-9: Sweet Lovin' Man (Take 1) (2:32)
1-10: Sweet Lovin' Man (Take 2) (2:30)
1-11: That's A Plenty (Take 1) (2:31)
1-12: That's A Plenty (Take 2) (2:30)
1-13: Shimmeshawabble (Take 1) (2:54)
1-14: Shimmeshawabble (Take 2) (2:55)
1-15: Weary Blues (2:37)
1-16: Da Da Strain (2:23)
1-17: Wolverine Blues (Take 2) (2:58)
1-18: Wolverine Blues (Take 3) (2:57)
1-19: Maple Leaf Rag (2:26)
1-20: Tin Roof Blues (Take 1) (2:59)
1-21: Tin Roof Blues (Take 2) (2:53)
1-22: Tin Roof Blues (Take 3) (2:51)
2-1: Sobbin' Blues (2:43)
2-2: Marguerite (3:03)
2-3: Angry (Take 1) (2:48)
2-4: Angry (Take 2) (2:48)
2-5: Clarinet Marmalade (Take 1) (2:29)
2-6: Clarinet Marmalade (Take 2) (2:33)
2-7: Mr. Jelly Lord (Take 2) (3:05)
2-8: Mr. Jelly Lord (Take 4) (2:57)
2-9: London Blues (2:42)
2-10: Milenberg Joys (Take 1) (2:46)
2-11: Milenberg Joys (Take 4) (2:49)
2-12: Mad (2:33)
2-13: Baby (2:59)
2-14: I Never Knew What A Gal Could Do (2:57)
2-15: She's Crying For Me Blues (2:47)
2-16: Golden Leaf Strut (2:47)
2-17: She's Cryin' For Me (Take 1) (2:47)
2-18: She's Cryin' For Me (Take 4) (2:47)
2-19: Everybody Loves Somebody Blues (Take 1) (2:58)
2-20: Everybody Loves Somebody Blues (Take 2) (2:55) |
| | Number of discs: |
1 |
| | Extra-Infos: |
.. Recordings 1922-1925 |
| | Description: | (2-CD set) One of the most exciting and strikingly original of the early jazz bands was the New Orleans Rhythm Kings (NORK). Their approach was fresh and airy as well as hot, and would not fall prey to caricature, as did many other bands of the early 1920s. They literally redirected the public's attention to what jazz was at it's core and, in doing so, influenced scores of musicians who would carry it into the future. Although the band's personnel changed often, the recordings on this set include such star players as Jelly Roll Morton, Paul Mares, Leon Roppolo, Santo Pecora, Ben Pollack, Don Murray, George Brunies, Steve Brown, Jack Pettis, and Elmer Schoebel. This new 2-CD set, a joint production of Rivermont and Off The Record (widely lauded for their recent restorations of King Oliver's Creole Jazz Band and The Wolverines) presents all 42 master and alternative takes recorded by the NORK from 1922-1925. Every track has been meticulously transferred and restored from original disc sources by renowned engineer Doug Benson for superb sound quality. The NORK recordings have never sounded this good - clear, open, and brimming with life and vitality! The copiously illustrated 40-page booklet includes detailed liner notes by Sue Fischer and 2-time Grammy nominee David Sager.[On back cover:]¨
Disc 1 Total Time 59:45
Disc 2 Total Time 57:31
?©2018 [l=Rivermont Records], P.O. Box 3081, Lynchburg, VA 24503 USA
Made in Canada
--
DISC 1
Tracks 1-4 were recorded in Richmond, Indiana (August 29, 1922). Paul Mares: trumpet; George Brunies: trombone; Leon Roppolo: clarinet; Jack Pettis: c-melody saxophone; Elmer Schoebel: piano/arranger; Lou Black: banjo; Arnold Loyacano or Steve Brown: bass; Frank Snyder: drums
Tracks 5-8 were recorded in Richmond, Indiana (August 30, 1922) with the above personnel.
Tracks 9-15 were recorded in Richmond, Indiana (March 12, 1923). Paul Mares: trumpet; George Brunies: trombone; Leon Roppolo: clarinet; Mel Stitzel: piano/arranger; Steve Brown: bass; Ben Pollack: drums
Tracks 16-22 were recorded in Richmond, Indiana (March 13, 1923) with the above personnel.
DISC 2
Tracks 1-8 were recorded in Richmond, Indiana (July 17, 1923). Paul Mares: trumpet; George Brunies: trombone; Leon Roppolo: clarinet; Glenn Scoville and Don Murray: saxophone; Jelly Roll Morton or Kyle Pierce: piano; Bob Gillette: banjo; Chink Martin (Martin Abraham): bass; Ben Pollack: drums
Tracks 9-12 were recorded in Richmond, Indiana (July 18, 1923) with the above personnel.
Tracks 13-16 were recorded in New Orleans, Louisiana (January 23, 1925). Paul Mares: trumpet; Santo Pecora: trombone; Leon Roppolo: clarinet; Charlie Cordilla: saxophone; Glyn Lea ?Red? Long: piano; Bill Eastwood: banjo; Chink Martin: bass; Leo Adde: drums
Tracks 17-20 were recorded in New Orleans, Louisiana ( March 26, 1925). Paul Mares: trumpet; Santo Pecora: trombone; Charlie Cordilla: clarinet; Glyn Lea ?Red? Long: piano; Bill Eastwood: banjo; Chink Martin: bass; Leo Adde: drums
"Complete Recordings 1922-1925" on CD by the New Orleans Rhythm Kings, released by Rivermont, is an essential collection for jazz enthusiasts and collectors alike. This comprehensive set captures the pioneering spirit of early jazz through meticulously remastered tracks recorded during a formative period in American music history. The New Orleans Rhythm Kings were instrumental in shaping the sound of traditional jazz, blending intricate arrangements with improvisational brilliance. Their collaborations with legendary artists like Jelly Roll Morton are considered milestones in jazz evolution. Rivermont, renowned for its dedication to preserving vintage recordings and historical authenticity, ensures that each release meets high standards of audio fidelity and archival quality. With this album, listeners can experience the vibrant energy and innovative artistry that made the New Orleans Rhythm Kings one of the most influential bands of their era. | | | Manufacturer No.: |
RVMT1170.2 |
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