Details / Tracklist: |
01. Wessel, Kai "Untergegangen der Mond (Sapphische Strophen für Countertenor/Bass und Ensemble) (2008/2017)" 02. Lippel, Daniel "Myrmecia (für Gitarre, Harfe und Dulcimer) (2015/2016)" 03. Arciuli, Emanuele "Pulstastung I (für Klavier) (2011)" 04. Arciuli, Emanuele "Pulstastung II (für Klavier) (2014/2015)" 05. Neue Vocalsolisten Stuttgart "mass:distance:time (für 6 Stimmen) (2010/2016)" ...silbern. (Sapphische Strophen für Bassfl?te) 06. Hoitenga, Camilla "1. Eros" 07. Hoitenga, Camilla "2. Leuchtend" 08. Hoitenga, Camilla "3. Fallend" 09. Hoitenga, Camilla "4. ...doch ich" 10. Hoitenga, Camilla "5. Silbern." 11. Arciuli, Emanuele "Pulstastung III (für Klavier) (2015-2017)" 12. Ensemble Phorminx "Nichts Fettes nichts Süßes (für Altfl?te, Klarinette, Schlagwerk, Klavier und Violoncello) (2015)" 13. Ensemble Phorminx "reflejos distantes (für Bassfl?te, Bassklarinette, Violine und Violoncello) (2006)" 14. Ensemble Modern "Coiling and swaying (für 18 Instrumente) (2014/2015)"
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Number of discs: |
1 |
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Extra-Infos: |
Works By Karola Obermuller |
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Description: | Untergegangen Der Mond is an album by Kai/Ensemble Modern/Ensemble Musikfabrik Wessel, released in 2021. The album is a classical CD. - WORKS BY KAROLA OBERMULLEREnergetic as well as poetic is Karola Obermüller's music, and it reveals hidden and unknown elements underneath the multilayered musical material. Many of the works on this portrait album in the series Edition Zeitgenossische Musik were developed as work in progress during a long period of time. Distinctive for Obermüller's work are therefore the reflection from several perspectives and the superposition of different layers of sound. Zooming in on musical details is another special feature in several of her pieces as in "Pulstastung" for example. Here the distances between the musical occurrences are going to be extended more and more, "with an increasing pulse at the same time" (Karola Obermüller). Obermüller is receiving a special inspiration by ancient poetic texts as from the Greek poet Sappho. Here she finds the essences of human existence like light and night, eros and longing. In "Untergegangen der Mond" and "... silbern." her music tries "to create moments of magic" (Volker Blumenthaler). In "Myrmecia" microtonal shiftings are confronted with percussive making of sound, which are creating a "strange, crackling, and insisting stream of sound", the composer compares to the wild activity of the primordial ant, the title is derived from. The instrumentation of the pieces on this album offer a panorama from solo pieces for bass flute (Camilla Hoitenga) or piano (Emanuele Arciuli) and an extraordinary instrumentation with guitar, hammered dulcimer and harp (International Contemporary Ensemble) arriving at big pieces for ensemble (Ensemble Modern and Ensemble Musikfabrik). |
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Manufacturer No.: |
WER64242 |
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Product Safety
Responsible Person for the EU:
Schott Music GmbH & Co. KG Weihergarten 5, 55116 Mainz, DE service@wergo.de |
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