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La Petite Bande/ Sigiswald Kuijken |
| | Description: | Reissue of the in 2014 released CC 72394. A new Christmas oratorio by one of the leading Baroque music ensembles La Petite Bande. An account that reflects the latest information and researches on period instruments' practice. A one to a part standard for both voices and instruments. With this release Sigiswald Kuijken accomplishes the recording of all Bach's great oratorios.
The Christmas Oratorio is a series of 6 separate cantatas, collectively relating the story from Christmas through to Twelfth Night. Bach wrote the work in Leipzig in 1734 and 1735 for Christmas Day (I), Boxing day (II), the third day of Christmas (III), New Year (IV), the Sunday after New Year (V) and Twelfth Night (VI). As with the Passions, the texts here are drawn from three sources: (1) the evangelical texts (primarily Luke and Matthew) intoned by the Evangelist (tenor) as recitatives, (2) chorales from the Lutheran tradition and (3) free texts for arias and some choral passages, written by the poet Picander. This performance is perhaps as close as presently possible to what we imagine Bach might have had in mind as he composed the work in Leipzig. - LA PETITE BANDE/SIGISWALD KUIJKENThe Christmas Oratorio is a series of six separate cantatas, collectively relating the story from Christmas through to Twelfth Night. Bach wrote the work in Leipzig in 1734 and 1735 for Christmas Day, Boxing Day, the third day of Christmas, New Year, the Sunday after New Year, and Twelfth Night. As with the Passions, the texts here are drawn from three sources: the evangelical texts intoned by the Evangelist as recitatives, chorales from the Lutheran tradition and free texts for arias and some choral passages, written by the poet Picander. This performance is perhaps as close as presently possible to what we imagine Bach might have had in mind as he composed the work in Leipzig. First of all, we have the 'one to a part' aspect: historical research among the various sources clearly shows that Bach did not ask for a choir to perform his cantatas, but simply a vocal quartet. This 'single line singing' certainly adds to the individual expression of the text and the music's transparency. Bach's religious music always uses the text as it's starting point and a great deal of attention is therefore paid to correct enunciation. The vocal principle of 'one to a part' also has a major influence on the instrumental forces. Bach employed a small-scale string ensemble, as well as single wind instruments where appropriate, all supported by an organ, which formed the continuo in conjunction with the bass violin. And since the instrumental music is also completely permeated by the rhetoric that stems from the text, the transparency of this small ensemble intertwines seamlessly with the vocal lines, giving a refined polyphony that reached it's zenith in Bach's music.The "Weihnachtsoratorium" (Christmas Oratorio) by Johann Sebastian Bach is a timeless masterpiece of sacred music, celebrated for its profound emotional depth and intricate musical architecture. This CD edition, released by Challenge Classics, presents the oratorio in an outstanding interpretation that captures both the festive spirit and spiritual gravitas of Bach's work. The recording features historically informed performances with authentic instruments and expert vocalists, ensuring a rich listening experience true to the Baroque era. Challenge Classics is renowned for its dedication to high-quality classical recordings, collaborating with world-class artists and ensembles to deliver exceptional sound clarity and artistic integrity. Johann Sebastian Bach remains one of history?s most influential composers; his works such as the Brandenburg Concertos, Mass in B minor, and St Matthew Passion have set benchmarks in Western music tradition. | | | Manufacturer No.: |
CC72806 |
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Bertus Musikvertrieb
Bertus Musikvertrieb
Akeleibaan 59, 2908 KA Capelle aan den Ijssel, NL
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Classic Crossover
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