Angela-Charlott Kolja Lessing Linckelmann -Nachtklänge -TELOS MUSIC RECORDS CD Grooves.land/Playthek

Details / Tracklist:

Dialoge

01. Gross, Michael "Dialog 1"

02. Gross, Michael "Dialog 2"

03. Lessing, Kolja "Toccata - Charconne"
Vier Aphorismen

04. Linckelmann, Angela-Charlott "Jeder Tag gehoert dir nur einmal"

05. Linckelmann, Angela-Charlott "Ein einzelnes Haar"

06. Linckelmann, Angela-Charlott "Spiegel"

07. Linckelmann, Angela-Charlott "Eine Grenze ist Anfang und Ende"

08. Gross, Michael "Fresco II"
Albumbl?tter

09. Linckelmann, Angela-Charlott "Für C.L."

10. Linckelmann, Angela-Charlott "Für R.R."

11. Linckelmann, Angela-Charlott "Für S.M."
Variationen über ein Katalanisches Volkslied

12. Gross, Michael "Thema"

13. Gross, Michael "Variation 1"

14. Gross, Michael "Variation 2"

15. Gross, Michael "Variation 3"

16. Gross, Michael "Variation 4"
Inventionen

17. Linckelmann, Angela-Charlott "Invention 1"

18. Linckelmann, Angela-Charlott "Invention 2"
Frühe Stücke

19. Linckelmann, Angela-Charlott "Nr. 1 (ohne Satzbezeichnung)"

20. Linckelmann, Angela-Charlott "Nr. 2 (ohne Satzbezeichnung)"
Nachtkl?nge

21. Mangold, Maximilian "Und wenn es dunkelt"

22. Mangold, Maximilian "Der Springbrunnen plaudert noch immerfort"

23. Mangold, Maximilian "Still, geh vorbei"
Fünf Meditationen

24. Dorfner, Andreas "Der Anfang des Glaubens"

25. Dorfner, Andreas "Die Wunder"

26. Dorfner, Andreas "Die Verwandlung"

27. Dorfner, Andreas "Die Begegnung"

28. Dorfner, Andreas "Der Anfang der Kirche"

Number of discs:

Description:

Veit Erdmann-Abele writes of his new release: "The term I like to use is Klangbild, a picture in sound. It refers to the musical reaction we can have vis-à-vis paintings or texts. Take the Five Meditations on Stained-Glass Windows, for instance: the original stained-glass windows featured scenes from the Old and New Testaments. My music is by no means an attempt to "describe" those stories; rather, it is the outgrowth of my very personal, individual thoughts and emotions. My approach is like that of a book illustrator. The music should not attempt to recount the story; rather, quite differently, it offers an independent commentary on the events. I apply the same approach in my "musical commentaries" on Dietmar Scholz's textual aphorisms. The music does not literally depict "the lonely hair that becomes important by falling into the soup", but tries to grasp the meaning hidden behind the text. This becomes particularly apparent in the case of Scholz's aphorism "In a mirror, everything is similar and everything is the opposite": this textual content can be musically depicted as a form. In the same way, my musical setting of the Romanesque Frescoes is not a description, but a commentary."

Manufacturer No.:

TLS 244

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