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01. "Sonata Op. 2 No. 1 in B Minor, HWV 386 Andante" 02. "Sonata Op. 2 No. 1 in B Minor, HWV 386 Allegro ma non troppo" 03. "Sonata Op. 2 No. 1 in B Minor, HWV 386 Largo" 04. "Sonata Op. 2 No. 1 in B Minor, HWV 386 Allegro" 05. "Sonata Op. 2 No. 2 in G Minor, HWV 387 Andante" 06. "Sonata Op. 2 No. 2 in G Minor, HWV 387 Allegro" 07. "Sonata Op. 2 No. 2 in G Minor, HWV 387 Largo" 08. "Sonata Op. 2 No. 2 in G Minor, HWV 387 Allegro" 09. "Sonata Op. 2 No. 3 in B-flat Major, HWV 388 Andante" 10. "Sonata Op. 2 No. 3 in B-flat Major, HWV 388 Allegro" 11. "Sonata Op. 2 No. 3 in B-flat Major, HWV 388 Larghetto" 12. "Sonata Op. 2 No. 3 in B-flat Major, HWV 388 Allegro" 13. "Sonata Op. 2 No. 4 in F Major, HWV 389 Larghetto" 14. "Sonata Op. 2 No. 4 in F Major, HWV 389 Allegro" 15. "Sonata Op. 2 No. 4 in F Major, HWV 389 Adagio" 16. "Sonata Op. 2 No. 4 in F Major, HWV 389 Allegro" 17. "Sonata Op. 2 No. 4 in F Major, HWV 389 Allegro" 18. "Sonata Op. 2 No. 5 in G Minor , HWV 390 Larghetto" 19. "Sonata Op. 2 No. 5 in G Minor , HWV 390 Allegro" 20. "Sonata Op. 2 No. 5 in G Minor , HWV 390 Adagio" 21. "Sonata Op. 2 No. 5 in G Minor , HWV 390 Allegro" 22. "Sonata Op. 2 No. 6 in G Minor, HWV 391 Andante" 23. "Sonata Op. 2 No. 6 in G Minor, HWV 391 Allegro" 24. "Sonata Op. 2 No. 6 in G Minor, HWV 391 Arioso" 25. "Sonata Op. 2 No. 6 in G Minor, HWV 391 Allegro"
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Al Ayre Espanol/ Eduardo Lopez Banzo |
 | Description: | Under the title I vanni occulti, ensemble Al Ayre Español, led by maestro Eduardo López Banzo, offers us its personal vision of Handelâ??s Sonatas Op. 2. The phrase comes from the oratorio Il trionfo del tempo e del disinganno (The Triumph of Time and Disillusion, 1707). The reference to this aria is not anecdotal, because Sonata No. 1 in this Op. 2 contains references to this music â?? an aspect that, hardly surprisingly, constitutes a characteristic element of the composition technique of the maestro from Halle. Over the course of his life, Handel composed 20 trio sonatas, 12 of which were published in London in two different collections: six sonatas were published in 1733 as Op. 2 (HWV 386â??391) and another seven printed in 1739 as Op. 5 (HWV 396â??402). In a disguised allusion to the vanitas allegory and the fleeting passage of time, Al Ayre Español presents, just three years after its recording of Op. 5 [Challenge Classics, CC72663], an introspective version of Op. 2, which completes and, at the same time, complements the groupâ??s first rendition of Handelâ??s trio sonatas. The two recordings form a single project that offers the listener a passionate and impassioned, southern and Mediterranean version of this exquisite chamber music. This version is marked by the emergence, with particular expressive intensity, of the two aesthetic poles present in the chamber music universe of Handel (and of López Banzo himself): the most contained lyricism combined with the most explosive fury. - AL AYRE ESPANOL/EDUARDO LOPEZ BANZOUnder the title I vanni occulti, ensemble Al Ayre Espanol, led by maestro Eduardo Lopez Banzo offers us it's personal vision of Handel's Sonatas Op. 2. The phrase comes from the oratorio Il trionfo del tempo e del disinganno (The Triumph of Time and Dillusion, 1707). The reference to this aria is not anecdotal, because Sonata No. 1 in this Op. 2 contains references to this music- an aspect that, hardly surprisingly, constitutes a characteristic element of the composition technique of the maestro from Halle. Over the course of his life, Handel composed 20 trio sonatas, 12 of which were published in London in two different collections: six sonatas were published in 1733 as Op. 2 and another seven printed in 1739 as Op. 5. In a disguised allusion to the vanitas allegory and the fleeting passage of time, Al Ayre Espanol presents, just three years after it's recording of Op. 5, an introspective version of Op. 2, which completes and, at the same time, complements the group's first rendition of Handel's trio sonatas. The two recordings form a single project that offers the listener a passionate and impassioned, southern and Mediterranean version of this exquisite chamber music. This version is marked by the emergence, with particular expressive intensity, of the two aesthetic poles present in the chamber music universe of Handel: the most contained lyricism combined with the most explosive fury.Jewel case in an O-card
? © 2019
"Made in Austria" |  | Manufacturer No.: |
CC72797 |
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Bertus Musikvertrieb Bertus Musikvertrieb Akeleibaan 59, 2908 KA Capelle aan den Ijssel, NL service@bertus.com |  |
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