| Details / Tracklist: |
Disc 01
Rondo für Klavier Nr. 1 D-Dur KV 485 01. "Allegro" 02. "Andante con moto" 03. "Menuetto. Allegro molto - Trio" 04. "Allegro vivace" 05. "Karl B?hm über Karl B?hm - Aus: Das musikalische Selbstportr?t vom 06. Oktober 1956"
Disc 02
Sinfonie Nr. 7 (alte Nr. 8) h-moll D 759 "Unvollendete" 01. "Allegro moderato" 02. "Andante con moto"
Sinfonie Nr. 8 (alte Nr. 9) C-Dur D 944 "Große C-Dur Sinfonie" 03. "Andante - Allegro ma non troppo" 04. "Andante con moto" 05. "Scherzo. Allegro vivace - Trio" 06. "Finale. Allegro vivace" 07. "Ansprache von Karl B?hm am Ende seines "Abschiedskonzertes" an das Dresdner Opern- und Konzertpublikum"
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| Number of discs: |
2 |
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| Description: | Unlike the last Karl Böhm set with gramophone recordings of overtures and concert pieces, the recordings in this new release are all radio broadcasts. The exciting thing is that the Schubert Fifth Symphony is one of the earliest radio magnetic tape recordings that we have. The 1941/42 season had just ended when the stage of the Steinsaal in Dresden's Hygiene Museum was first prepared for use as a broadcasting studio for the programmes of Reichssender Berlin. In contrast to the gramophone recordings current until then, brand new magnetic-tape players were humming in an adjoining room, in service for the first time that year as a high fidelity replacement for the disc cutters that had been used for the past decade and more. The use of magnetic tape opened up a new and more varied world of sound to the broadcasting technicians. Whereas music programmes had previously broadcast longer works from discs playing for three or four minutes, involving constant changes of disc, the broadcasting engineers now had a "sound scribe" and the associated "magnetic tape" medium that would record and transmit recordings lasting up to 20 minutes per tape plate. That meant that complete movements of symphonies could be recorded and played without a break. No wonder, then, that the "Magnetophone" tapes promptly replaced the highly breakable wax discs. Musicians and conductors were equally appreciative of the new recording method, given that it was no longer a matter of the highest priority to play with maximum concentration and minimum error for as long as possible, since the Tonmeister's "magic snips" would leave any mistakes or shortcomings on the cutting-room floor. The 1942 recording of Schubert's Symphony No. 5 presented here is a priceless early audio document, surely the first attested Magnetophone recording by the Dresden Staatskapelle.The "Edition Staatskapelle Dresden-Vol.45" CD, performed by the renowned conductor Karl Böhm with the Staatskapelle Dresden, is a remarkable addition to any classical music collection. This volume showcases masterful interpretations of orchestral works that highlight both the precision and emotional depth for which Böhm was celebrated. Karl Böhm (1894?1981) was one of the 20th century?s most influential conductors, acclaimed for his profound readings of Mozart, Beethoven, and Strauss. His collaborations with leading orchestras worldwide have left an indelible mark on recorded music history. The Staatskapelle Dresden itself stands among Europe?s oldest and most prestigious orchestras, known for its rich tradition and exceptional sound quality. Released by Profil?a label distinguished for high-quality classical recordings?this edition guarantees superb audio fidelity and meticulous production standards. Profil has earned international respect through its dedication to preserving legendary performances while introducing new listeners to timeless masterpieces. |
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| Manufacturer No.: |
PH19023 |
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Product Safety
Responsible Person for the EU:
kdg mediatech GmbH
Geschäftsführer: Michael Hosp
kdg mediatech GmbH/ Am kdg campus, Dorf 958, 7519 Elbigenalp, AT
fredi.perl@kdg.at |
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