Martin Klett & Ensemble -Lamento -CAVI-MUSIC CD Grooves.land/Playthek

Details / Tracklist:

Konzert für Cembalo, Streicher und Basso continuo Nr. 1 d-moll BWV 1052

01. "1. Allegro"

02. "2. Adagio"

03. "3. Allegro"

04. "Recuerdo (bearb. von Horacio Salgán)"

05. "Tierra querida (bearb. von Horacio Salgán)"

06. "Boedo (bearb. von Horacio Salgán)"

07. "A fuego lento"

08. "El marne (bearb. von Horacio Salgán)"
Konzert für Cembalo, Streicher und Basso continuo Nr. 5 f-moll BWV 1056

09. "1. Ohne Satzbezeichnung"

10. "2. Largo"

11. "3. Presto"

12. "Mi lamento (bearb. von Osvaldo Pugliese)"

13. "De floreo (bearb. von Osvaldo Pugliese)"

14. "Pat?tico (bearb. von Osvaldo Pugliese)"

15. "A Roberto Peppe (bearb. von Osvaldo Pugliese)"

16. "La rayuela (bearb. von Osvaldo Pugliese)"

Number of discs:

Extra-Infos:

& Ensemble / Works By Bach/ Salgan/ Pugliese

Description:

Lamento â?? a personal affair. "You have referred to â??Lamentoâ? on the one hand as an â??insane projectâ?, on the other as a â??matter of the heartâ?. How do insanity and the heart go together? Insanity and the heart fortunately go very well together. The project of doing Bach concertos with a chamber ensemble of solo strings had been going around in my head for almost a decade. And Bach, in a way, is the core of the programme on this CD. His music often tends to be combined with other works: with new music, or with Romantic music. Piazzollaâ??s Four Seasons are often coupled with those of Vivaldi. Thus the idea of combining Baroque music with tango isnâ??t new. But this specific repertoire is something quite different. Then we have my personal journey with tango: my ensemble Cuarteto SolTango and my passion for dance. What grew out of all this? A rather large-scale project (for chamber music), with musicians from many different countries â?? and an intense week I will probably never forget. Bach and tango: why, for your ears, do they fit so well together? First and foremost, they obviously each stand for themselves. We play tango as tango, and Bach as Bach. The combination emerged from my personal connection with each of them. What is more, the Lamento runs like a red thread through the entire programme. I hear lamentation in each of these styles. The title Lamento is inspired by the tango song Mi lamento, and lamentation naturally plays an outstanding role in Bachâ??s music: not always, but quite often. '' (Excerpt from the booklet) - & ENSEMBLE / WORKS BY BACH/SALGAN/PUGLIESE

Martin Klett has referred to his new project "Lamento" as both an "insane project," and a "matter of the heart." He writes: "Insanity and the heart fortunately go very well together. The project of doing Bach concertos with a chamber ensemble of solo strings had been going around in my head for almost a decade. And Bach, in a way, is the core of the programme on this album. His music often tends to be combined with other works: with new music, or with Romantic music. Piazzolla's Four Seasons are often coupled with those of Vivaldi. Thus the idea of combining Baroque music with tango isn't new. But this specific repertoire is something quite different. Then we have my personal journey with tango: my ensemble Cuarteto SolTango and my passion for dance. What grew out of all of this? a rather large-scale project with musicians from many different countries- and an intense week I will probably never forget."

Manufacturer No.:

AVI8553471

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