Klarinettentrios

Oslo Philharmonic Chamber Group
Klarinettentrios

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Lawo
Release date: 14/Aug/2019
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Style: Other Ensemble
Product No.: 2099038144

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Content:

Details / Tracklist: M?rchenerz?hlungen op. 132 (4 Stücke für Viola, Klarinette und Klavier)
MP3 Audio listen now for free 01. "Nr. 1 Lebhaft, nicht zu schnell"
MP3 Audio listen now for free 02. "Nr. 2 Lebhaft und sehr markiert"
MP3 Audio listen now for free 03. "Nr. 3 Ruhiges Tempo, mit zartem Ausdruck"
MP3 Audio listen now for free 04. "Nr. 4 Lebhaft, sehr markiert"
Stücke für Klarinette, Viola (Violoncello) und Klavier op. 83 Nr. 1-8
MP3 Audio listen now for free 05. "Nr. 1 Andante"
MP3 Audio listen now for free 06. "Nr. 2 Allegro con moto"
MP3 Audio listen now for free 07. "Nr. 3 Andante con moto"
MP3 Audio listen now for free 08. "Nr. 4 Allegro agitato"
MP3 Audio listen now for free 09. "Nr. 5 Andante"
MP3 Audio listen now for free 10. "Nr. 6 Andante con moto"
MP3 Audio listen now for free 11. "Nr. 7 Allegro vivace, ma non troppo"
MP3 Audio listen now for free 12. "Nr. 8 Moderato"
Trio für Klarinette, Viola (Violoncello) und Klavier Es-Dur KV 498 "Kegelstatt-Trio"
MP3 Audio listen now for free 13. "1. Andante"
MP3 Audio listen now for free 14. "2. Menuett"
MP3 Audio listen now for free 15. "3. Rondo: Allegretto"
Number of discs: 1
Extra-Infos: Works By Schumann/ Bruch/ Mozart
Description:The combination of clarinet, viola and piano has not been used much by composers throughout the ages, and the most representative works are on this recording. Featured on this fourth release of Oslo Philharmonic Chamber Group are solo clarinettist Leif Arne Pedersen, violist Henninge Landaas and pianist Gonzalo Moreno. Mozart heard the clarinet in the large cities and became ever more ardent in his enthusiasm for it. After settling in Vienna in 1781, he made the acquaintance of clarinettist Anton Stadler, and the two had an important influence on the instrumentâ??s increasing popularity. â??Kegelstatt Trioâ?, heard on this CD, was composed in jovial company, in the context of a house concert at which Mozart himself played viola and Stadler clarinet. That Mozart composed â??Kegelstatt Trioâ? while playing skittles is only partially true; â??Kegelstattâ? was added to the title of the trio in E-flat major sometime later. It can sound as though the three instruments in effect toss pins to each other in equal and elegant music making. Schumann composed â??Märchenerzählungenâ? in the spring of 1854, and his fairy tale images were composed in a three-day rush of creativity. The combination of instruments seemed to him very romantic, and he was clearly inspired by his dear friend Johannes Brahms. The four narratives do not refer to particular fairy tales, even though this time coincides with the publication of Grimmsâ?? Fairy Tales. The antiquated, more inward style of Bruchâ??s eight pieces for clarinet, viola and piano is perhaps due to the fact that he was 70 years old and soon to retire when he composed the work. Almost all the movements are minor, with emphasis on deep pitch. The eight movements are different, without any connection. Each movement develops its own themes with ever new ideas, and Bruchâ??s enthusiasm for traditional folk music is evident in several of the movements. - WORKS BY SCHUMANN/BRUCH/MOZART
The combination of clarinet, viola and piano has not been used much by composers throughout the ages, and the most representative works are on this recording. Featured on this fourth release of Oslo Philharmonic Chamber Group are solo clarinetist Leif Arne Pedersen, violist Henninge Landaas and pianist Gonzalo Moreno. Mozart heard the clarinet in the large cities and became ever more ardent in his enthusiasm for it. After settling in Vienna in 1781, he made the acquaintance of clarinetist Anton Stadler, and the two had an important influence on the instrument's increasing popularity. "Kegelstatt Trio" was composed in jovial company, in the context of a house concert at which Mozart himself played viola and Stadler clarinet. Schumann composed "Marchenerzahlungen" in the spring of 1854, and his fairy tale images were composed in a three-day rush of creativity. The antiquated, more inward style of Bruch's eight pieces for clarinet, viola and piano is perhaps due to the fact that he was 70 and soon to retire when he composed the work.
Manufacturer No.: LWC1172
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