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| Remarque / Liste des chansons: |
01. "Mon Amour Il Est Gentil"
02. "Ecoute Moi Camarade"
03. "Je N'Aime Pas Le Jour Je N'Aime Pas La Nuit"
04. "Daag Dagui"
05. "Je Pense A Celle"
06. "Si Massoud (Je T'Aime Et Je T'Aimerai)"
07. "L'Amour M?ak"
08. "Tu N'es Plus Comme Avant"
09. "20 Ans En France"
10. "Je Suis Seul"
11. "La Madrague"
12. "Clichy"
13. "Cherie Madame"
14. "Dis Moi C'Est Pas Vrai"
15. "Adieu La France"
16. "Mini Jupe"
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 | | Nombre de disques: |
2 |
| | Informations supplémentaires: |
.. France/ Algiers 1969-1983 |
| | Description: | Double LP version. Includes printed inner sleeve with liner notes both in French and English by Rabah Mezaouane; Includes download code. Mohamed Mazouni, born January 4, 1940 in Blida (The City of Roses), a city which had just turned twenty. His memory dragged around a lot of catchy refrains by Rabah Driassa and Abderrahmane Aziz, also natives of Blida, or by 'asri (modern music) masters Bentir or Lamari. He began his singing career in those years, chosing bedoui as a style. In June 1965, Algeria adopted a Soviet-style profile where everything was planned, even music. Mazouni, he followed his path, recording a few popular tunes, but he also was in the mood for traveling beyond the Mediterranean. During the 1950s and 1960s, Mohamed was dumbfounded by Oum Kalsoum's songs and scopitones. Fully immersed, he soaked up the songs of Dahmane El Harrachi, Slimane Azem, Akli Yahiaten, or Cheikh El Hasnaoui, but also those from the crazy years of twist and rock n' roll as embodied by Johnny Hallyday, Les Chaussettes Noires, or Les Chats Sauvages, not to mention Elvis Presley. Between 1970 and 1990, he had a series of hits. Mazouni, a dandy shattered by his century and always all spruced up who barely performed on stage, had greatly benefited from the impact of scopitones, the ancestors of music videos. His strength lay in Arabic lyrics all his compatriots could understand, and catchy melodies accompanied by violin, goblet drum, qanun, tar (a small tambourine with jingles), lute, and sometimes electric guitar on yé-yé compositions. Like a politician, Mazouni drew on all themes knowing that he would nail it each time. This earned him the nickname "Polaroid singer". Mohamed Mazouni crossed the 1960s and 1970s with his dark humor and unifying mix of local styles. Besides his trivial topics, he also denounced racism and the appalling condition of immigrant workers. However, his way of telling of high school girls, cars and pleasure places earned him the favors of France's young migrant zazous. At the end of the 1990s, the distribution of Michèle Collery and Anaïs Prosaïc's documentary on Arabic and Berber scopitones highlighted Mazouni's importance. Mazouni did not stop singing and even had a few local hits, always driven by a "wide targeting" ambition. This compilation, the first one dedicated to him, includes all of his never-reissued "hits" with, as a bonus, unobtainable songs such as "L'amour Maâk", "Bleu Délavé", or "Daag Dagui"., Runningtime: 00:00:00, Artwork: Loulou Picasso, Artwork [Booklet]: Harry Toudert, Liner Notes: Rabah Mezouane, Labelcode BNBD113.1 (BB113), Pressed By MPO"Un Dandy En Exil - Algérie/France 1969-1983" est un superbe album vinyle de Mazouni édité par le prestigieux label Born Bad / Cargo. Cette compilation propose une immersion dans l?univers musical d?un artiste en exil entre deux rives : elle mêle habilement les sonorités traditionnelles du Maghreb à la chanson française et à la pop des années soixante-dix et quatre-vingt en France métropolitaine. Les textes poétiques de Mazouni et ses arrangements novateurs traduisent toute la richesse de sa double culture ainsi que les défis liés à l?exil artistique et personnel qu?il a traversés durant cette période charnière de sa carrière musicale.
Le label français Born Bad Records s?est imposé comme référence pour tous ceux qui souhaitent découvrir ou redécouvrir des trésors oubliés du patrimoine musical mondial ; il met particulièrement en avant des artistes méconnus mais essentiels grâce à des rééditions soignées accompagnées d?informations contextuelles précieuses sur chaque projet publié.
Mazouni occupe une place majeure dans la musique franco-algérienne : dès la fin des années 60 il séduit par ses chansons engagées sur l?identité culturelle complexe liée à l?immigration maghrébine tout autant que par leur portée universelle touchant au c?ur plusieurs générations d?auditeurs francophones ou non partout dans le monde. | | | N° de fabricant: |
00134012 |
| Sécurité des produits
Personne responsable pour l'UE:
375 Media GmbH
Schlachthofstraße 36A, 21079 Hamburg, DE
https://375media.com | |
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Musique du monde
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