Details / Tracklist: |
Pr?ludium und Fuge C-Dur BWV 531 01. "1. Pr?ludium" 02. "2. Fuge" Pr?ludium und Fuge c-moll BWV 537 (Fantasie für Orgel) 03. "1. Fantasie" 04. "2. Fuge" 05. "Allein Gott in der H?h sei Ehr BWV 717" 06. "Allein Gott in der H?h sei Ehr BWV 711 (Kirnberger-Choral)" 07. "Allein Gott in der H?h sei Ehr BWV 715" Partita sopra Ach, was soll ich Sünder machen BWV 770 08. "Partie 1" 09. "Partie 2" 10. "Partie 3" 11. "Partie 4" 12. "Partie 5" 13. "Partie 6" 14. "Partie 7" 15. "Partie 8" 16. "Partie 9" 17. "Partie 10" 18. "Toccata und Fuge E-Dur BWV 566 (in C-Dur)" Pr?ludium und Fuge c-moll BWV 546 19. "1. Pr?ludium" 20. "2. Fuge" 21. "Herr Jesu Christ, dich zu uns wend BWV 709 (Kirnberger-Choral)" 22. "Herr Jesu Christ, dich zu uns wend BWV 726" 23. "Passacaglia und Fuge c-moll BWV 582"
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1 |
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Extra-Infos: |
Masaaki Suzuki |
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Description: | Organ Works Vol.3 by Frank Peter Zimmermann, released 2 August 2019.
This version of Organ Works Vol.3 comes as a 1xSuper Audio. - MASAAKI SUZUKIBorn within a couple of years of each other, Gottfried Silbermann and Johann Sebastian Bach were acquainted, and we know that Silbermann in 1736 invited the composer to inaugurate the new organ that he had built in Dresden's Frauenkirche. That instrument was destroyed during the bombing of Dresden in 1945, but some thirty of Silbermann's organs are still extant. From robust pedal stops providing a sturdy bass fundament to silvery flute stops, his instruments were famous for their distinctive sound and contemporary sources often made use of a play on the name of their maker as they praised their 'Silberklang'. Silbermann was based in Freiberg with his workshop only a stone's throw away from the cathedral, where he built his first great organ in 1714. One of the finest and best preserved examples of his art, this is the instrument which Masaaki Suzuki has chosen for the third installment in his traversal of Bach's organ music, following acclaimed recitals recorded in Groningen (the Netherlands) and Kobe (Japan). The programme takes us through various forms of organ compositions, including one of Bach's most imposing preludes (BWV 546) with it's intricate fugue, the multi-sectioned Toccata in C major (BWV 546a), examples of chorale preludes and partitas. Suzuki closes his recital with the famous Passacaglia and Fugue in C minor, probably composed during the same years that Silbermann was busy building the organ on which it is performed here.Played on the Great Silbermann Organ of Freiberg Cathedral |
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Manufacturer No.: |
BISSACD-2421 |
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