Manuel Tomadin
Strungk/ Mohrhardt:Complete Organ Music

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Brilliant Classics
Release date: 04/Oct/2019

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Style:	Organ

Product No.:	2099317457

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Details / Tracklist:

Disc 01
Tibi laus tibi gloria (nach Di Lasso)

01. "Ohne Satzbezeichnung"

02. "Ohne Satzbezeichnung"

03. "Lass mich dein sein und bleiben"

04. "Toccata"
Ecce Maria genuit nobis (nach Di Lasso)

05. "Ohne Satzbezeichnung"

06. "Ohne Satzbezeichnung"

07. "Ich hab mein Sach Gott heimgestellt"
Magnificat im 9. Ton: "Meine Seele erhebet den Heeren"

08. "Vers 1"

09. "Vers 2"

10. "Vers 3"

11. "Verbum caro factum est"

12. "Surrexit pastor bonus"
Kyrie Summum

13. "Ohne Satzbezeichnung"

14. "Ohne Satzbezeichnung"

15. "Ohne Satzbezeichnung"

Disc 02

01. "Du Friedefürst, Herr Jesu Christ"

02. "Gelobet seist du, Jesu Christ"

03. "Was fürchtst du, Feind Herodes, sehr"

04. "Alle Welt, was lebet und webet"

05. "Allein zu dir, Herr Jesu Christ"

06. "Meine Seele erhebet den Herren"

07. "Wacht auf, ihr Christen alle"

08. "Aus tiefer Not schrei ich zu dir"

09. "Herr Gott, dich loben wir"
Capriccios

10. "Nr. 1 Capriccio Nr. 1"

11. "Nr. 2 Capriccio Nr. 2"

12. "Nr. 3 Capriccio Nr. 3"

13. "Nr. 4 Capriccio Nr. 4"

14. "Nr. 5 Capriccio Nr. 5"

15. "Nr. 6 Capriccio Nr. 6"

16. "Ricercar sopra la morte della mia carissima Madre (...)"

17. "Capriccio zu Ich dank dir schon durch deinen Sohn"

Number of discs:

Extra-Infos:

Works By D. & N.a. Strungk & P. Mohrhardt

Description:

In this release we dive headfirst into 17th-century Northern Germany, a time of innovation and experimentation in music for the organ. As these imposing instruments were installed in cathedrals across Europe, the repertoire flourished. Three composers grace this set: Delphin Strungk, his son Nicolaus Adam Strungk and Peter Mohrhardt, and their musical output sheds light on the transition period between the Renaissance and Baroque eras. Delphin Strungk opens the set with an organ arrangement of a motet by Orlando di Lasso, a pioneer of the polyphonic style. Strungk was a highly respected organist and took up several posts during his lifetime including one as the court organist in Celle. His performances won him international acclaim and academics from across the continent would come to hear him play. Magnificat noni toni was a favourite of Duke Rudolph Augustus, Prince of Brunswick-Wolfenbüttel, who often came to Braunschweig to watch him play. Strungk explores the potential of the instrument and uses special echo effects in several pieces. It's a technique also employed by Jan Pieterszoon Sweelinck, and it's possible Strungk was one of his pupils. Peter Mohrhardt moved in the same musical circles as Strungk but fewer of his compositions have survived, all of which are included here. His pieces reflect the influence of Sweelinck and Scheidemann, including echo effects, for example. However his music is also forward-looking, and the arrangements feature a highly ornamented cantus firmus, while the chorale fantasias show off the virtuosity of the performer, typical of Baroque keyboard music. Nicolaus Adam Strungk was active at the same time as Mohrhardt. As the son of Delphin Strungk, he grew up under the guidance of his father and was employed by various members of the nobility, later performing for the emperor Leopold I. As the most modern composer of the three, technological advancements in organ building, such as the introduction of tempered tunings, allowed the composer to experiment with new tonalities. Admired by J.S. Bach, Strungk was influenced by Arcangelo Corelli, whom he met in Rome in 1685. This was the same year that Strungk learned of the death of his mother, inspiring his Ricercar sopra la morte della mia carissima Madre, whose melancholy melody bears clear signs of the Italian master's influence.

Tomadin plays on the Arp Schnitger organ (ca. 1700) in Uithuizen and the Hans Scherer organ (ca. 1624) of St. Stephan in Tangermünde.

Manufacturer No.:

1095758BRC

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