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Disc 01
Berenice HWV 38 (Oper) (Auszug) 01. Kleiber, Erich "Andante larghetto"
Sinfonie Nr. 40 g-moll KV 550 02. Kleiber, Erich "1. Molto allegro" 03. Kleiber, Erich "2. Andante" 04. Kleiber, Erich "3. Menuett und Trio: Allegretto" 05. Kleiber, Erich "4. Allegro assai"
Sinfonie Nr. 6 F-Dur op. 68 "Pastorale" 06. Kleiber, Erich "1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo" 07. Kleiber, Erich "2. Szene am Bach: Andante molto mosso" 08. Kleiber, Erich "3. Lustiges Zusammensein der Landleute: Allegro" 09. Kleiber, Erich "4. Gewitter, Sturm: Allegro" 10. Kleiber, Erich "5. Hirtengesang, frohe und dankbare Gefühle nach dem Sturm: Allegretto"
Disc 02
01. Kleiber, Erich "Sph?renkl?nge op. 235 (Walzer)"
Der Zigeunerbaron (Operette in 3 Akten) (Auszug) 02. Kleiber, Erich "Ouvertüre" 03. Kleiber, Erich "Karneval op. 92 (Ouvertüre)"
Die Jungfrau von Orleans (Oper in 4 Akten) (Auszug) 04. Zareska, Eugenia "Da, cas nastal! - Prostite vi, kholmi, polya rodniye (Abschiedsarie, 1. Akt)"
Suite pastorale 05. Martinon, Jean "Nr. 1 Idylle" 06. Martinon, Jean "Nr. 2 Danse villageoise" 07. Martinon, Jean "Nr. 3 Sous bois" 08. Martinon, Jean "Nr. 4 Scherzo - Walzer"
Le Tombeau de Couperin (für Orchester) 09. Martinon, Jean "1. Pr?ludium: Vif" 10. Martinon, Jean "2. Forlane: Allegretto" 11. Martinon, Jean "3. Menuett: Allegro moderato" 12. Martinon, Jean "4. Rigaudon: Assez vif"
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| | Description: | Decca studio recordings made between 1947 and 1949 with the London Philharmonic Orchestra, newly compiled and remastered by Mark Obert-Thorn and including material new to CD. Decca first presented it's 'ffrr' technology - full frequency range recording - in 1944, originally developed by the company's engineers as a means of detecting and identifying German submarines through their engine noises. Following the success of Stravinsky's Petrushka with Ernest Ansermet (made in 1946 and reissued by Eloquence in it's comprehensive series dedicated to the Swiss conductor) other major artists visiting London were invited to make records at the acoustically excellent Kingsway Hall. One of them was Erich Kleiber, who had attracted a considerable following in London through his concerts. 'Audiences did not merely listen and applaud,' remembered his friend, the scholar Jacques Barzun. 'They knew what they were doing.' His repertoire for Decca mirrored his concerts: symphonies by Mozart and Beethoven, overtures by Dvorák and Handel, and Strauss-family favourites, all done with superb attention to rhythmic lift and dynamic balance so that, combined with Decca's pioneering technology, listeners could (and still can) hear inside the scores to a degree still remarkable for the late 1940s. The old ideal of classical 'objectivity' was Kleiber's inspiration for Beethoven's 'Pastoral' Symphony: he was 'a conductor's conductor', observed The Spectator's reviewer, seeing Kleiber in concert at the time of these recordings, who obtained precisely what he wanted with 'instinctive ease and economy of means'. The French conductor Jean Martinon also had a short-lived relationship with Decca in London before making most of his records in the US for RCA. They include deliciously light-textured accounts of Ravel's Le Tombeau de Couperin and Chabrier's Suite Pastorale as well as another gramophone rarity: the farewell aria for Joan of Arc in Tchaikovsky's opera The Maid of Orleans, sung by the Polish mezzo-soprano Eugenia Zareska., Runningtime: 00:00:00, Labelcode ELOA8293865.2 | | | N° de fabricant: |
ELQ4829386 |
| Sécurité des produits
Personne responsable pour l'UE:
Importeur: Klassik Center
Dr. Rainer Kahleyss
Glöcknerpfad 47, 34134 Kassel, DE
info@classicdisc.de | |
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