New York Polyphony

Lamentationes
New York Polyphony

22,49 EUR
SACD+ CD
Bis
Lanzado en: 06/09/2019
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Rango de ventas: #22 en Motete
#7443 en Música clásica
Estilo: Motete
Número de artículo: 2099336773

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Comentarios / Titulos de las canciónes: MP3 Audio audición libre 01. "Lamentationes Jeremiae Feria V"
MP3 Audio audición libre 02. "Stabat mater dolorosa"
MP3 Audio audición libre 03. "Lamentationes Jeremiae Feria VI"
MP3 Audio audición libre 04. "Gloria in excelsis Deo"
MP3 Audio audición libre 05. "Sancta Maria, succurre miseris"
MP3 Audio audición libre 06. "Unica est columba mea"
MP3 Audio audición libre 07. "Credo in unum Deum"
MP3 Audio audición libre 08. "Quae est ista"
MP3 Audio audición libre 09. "Antes que comáis a Dios"
MP3 Audio audición libre 10. "Agnus Dei"
Cantidades: 1
Informaciones adicionales: New York Polyphony/ Geoffrey Williams
Descripción:Renaissance music from Spain has come to mean the works of composers such as Tomás Luís de Victoria or Francisco Guerrero rather than their predecessors. But composers such as Francisco de Peñalosa - who died in 1528, the same year that Guerrero was born - were musicians of genuine imagination and skill, whose work often shows a formidable individuality. The most recent edition of Peñalosa's oeuvre lists 22 works as genuine: masses, lamentations, hymns and motets. From these, New York Polyphony have selected two highly expressive Lamentations, intended for services held during Holy Week and setting biblical texts bemoaning the destruction of Jerusalem in 586 BC. Besides two brief motets, Peñalosa is also represented by sections from his Missa L'homme armé, one of the many examples from the 15th to the 17th century of cyclic masses based on secular melodies. These pieces by Peñalosa are brought into relief by shorter works by his near-contemporary Pedro de Escobar - a deeply haunting setting of the beginning of the hymn Stabat Mater - and the aforementioned Francisco Guerrero. Guerrero is represented by Quae est ista, a setting of words from the Song of Songs which have inspired the composer to ecstatic cascades of notes. In contrast his Antes que comáis a Dios, with a text in Spanish, is simple but effective, in a propulsive triple time., Runningtime: 00:00:00, Baritone Vocals: Christopher Dylan Herbert, Bass Vocals: Craig Phillips (5), Countertenor Vocals: Geoffrey Williams (3), Cover: C. E. Morse, Ensemble: New York Polyphony, Executive-Producer: Robert Suff, Liner Notes: Ivan Moody, Liner Notes [Translated By]: Arlette Lemieux-Chené, Liner Notes [Translated By]: Horst A. Scholz, Photography By: Jacob Blickenstaff, Photography By: Joanne Bouknight, Producer, Engineer, Edited By, Mixed By: Jens Braun, Tenor Vocals: Steven Caldicott Wilson, Typography, Layout: Andrew Barnett, Composed By: Francisco de Peñalosa, Composed By: Pedro de Escobar, Composed By: Francisco de Peñalosa, Composed By: Francisco de Peñalosa, Composed By: Francisco de Peñalosa, Composed By: Francisco de Peñalosa, Composed By: Francisco de Peñalosa, Composed By: Francisco Guerrero, Composed By: Francisco Guerrero, Composed By: Francisco de Peñalosa, Labelcode BIS2407SACD (BIS-2407 SACD), Copyright (c) BIS Records AB, Phonographic Copyright (p) BIS Records AB, Recorded At Princeton Abbey
N° de títulos: 10
N° de fabricante: BISSACD-2407
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