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Sonate pour violon et violoncelle en sol majeur, B.G7 01. Duo Tartini "I. Larghetto" 02. Duo Tartini "II. Allegro" 03. Duo Tartini "III. Allegro" 04. Duo Tartini "Aria cromatica e variata en la mineur" 05. Annabelle Luis "Capricio pour violoncelle seul en mi mineur, No. 6" Ricercata 6 en sol majeur 06. Duo Tartini "I. Adagio" 07. Duo Tartini "II. Allegro" 08. Duo Tartini "III. Adagio" 09. Duo Tartini "IV. Allegro" 10. David Plantier "Capricio pour violon seul en do mineur" Sonate pour violon et violoncelle en do mineur, Op. 5 No. 6 11. Duo Tartini "I. Adagio" 12. Duo Tartini "II. Allegro moderato" 13. Duo Tartini "III. Allegro" Duetto III en la mineur 14. Duo Tartini "I. Andante" 15. Duo Tartini "II. Fuga" Sonate pour violon et violoncelle en sol mineur, Op. 1 No. 4 16. Duo Tartini "I. Allegro" 17. Duo Tartini "II. Cantabile" 18. Duo Tartini "III. Presto" Duo concertant pour violon et violoncelle en mi mineur No. 1 19. Duo Tartini "I. Cantabile con variazioni" 20. Duo Tartini "II. Rondo - Allegro"
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David Plantier/ Annabelle Luis |
 | Description: | The instrumentation indications printed on the scores of 18th century violin sonatas were numerous and varied. However, the renewal of baroque performance over recent decades has imposed the uniformity of a continuo bass played on harpsichord and cello, despite the celebrated 'o' of Corelli and many of his pupils in: violoncello o cembalo. Though the use of the harpsichord is not to be called into question, other practices were common, particularly in the case of the violin sonatas. And it was unquestionably Tartini and his contemporaries who pushed a new practice to the forefront from the 1740s onwards: to perform the music of these great violinists-composers with an accompaniment of solo cello, which, far from being incidental, has a major role in the score. Other works of this programme render justice to the cello as a solo instrument, fully equal to the violin, with the first veritable duets for both instruments, something very much in vogue in the classical period. This musical itinerary of duets and sonatas for violin and cello offers a new experience, one that is varied and fascinating, with works of great beauty. Yet David Plantier and Annabelle Luis also show us a new sound image: the fullness of only two instruments of the same family is surprising, whilst the infinite colours and the uncommon pliability presented by this combination reveal unforgettable moments of music.Recorded at the Église Saint-Rémi de Franc-Waret (Belgium) from 4 to 7 September 2018
Comes in a 2-panel Digipak including a 16-page booklet housed in back cover pocket
Liner notes in French and English.
Cover picture: © Andrea Mion
Booklet cover: © Le Concert d'Astrée
David Plantier, violon Giovanni Battista Guadagnini (1766)
Annabelle Luis, violoncelle Nicolas Augustin Chappuy (1777)
Total time: 75'32
(c) - (p) 2019 Off The Records (on back cover and booklet)
(P) (C) 2019 Off The Records (on disc)"Continuo, Addio! - Duets, Sonatas, Caprices" is a captivating CD by the acclaimed Duo Tartini and released under the Muso label. This album explores the rich tapestry of Baroque chamber music with a fresh perspective, featuring virtuosic duets, expressive sonatas, and imaginative caprices that highlight both technical brilliance and emotional depth. The repertoire includes works by Giuseppe Tartini as well as other composers from his era, offering listeners an immersive journey through intricate dialogues between violin and cello. Duo Tartini has garnered international recognition for their historically informed performances and innovative interpretations of early music. Their previous recordings have received critical acclaim in major classical music publications across Europe. Muso is renowned for its commitment to high-quality productions that spotlight exceptional artists in classical music; their catalog features award-winning albums celebrated for artistic excellence. |  | Manufacturer No.: |
MU-031 |
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OUTHERE SA Rue de l\'Épargne 29, 1000 Brüssel, BE info@outhere-music.com |  |
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