Details / Tracklist: |
Disc 01 3 Songs from Sophiens Reise 01. "Verdankt sei es dem Glanz der Großen, K. 392 / K6340a" 02. "An die Einsamkeit K.391 / K6340b" 03. "Ich wu"rd' auf meinem Pfad K.390 / K6340c" Lieder aus der 'Selam' 04. "Labetrank der Liebe D.302" 05. "An die Geliebte D.303" 06. "Wiegenlied D.304" 07. "Mein Gruss an dem Mai D.305" 08. "Skolie D.306" 09. "Die Sternenwelten D.307" 10. "Die Macht der Liebe D.308" An die ferne Geliebte, Op. 98 11. "I. Auf dem Hu"gel sitz' ich, sp?hend" 12. "II. Wo die Berge so blau" 13. "III. Leichter Segler in den H?hen" 14. "IV. Diese Wolken in den H?hen" 15. "V. Es kehret der Maien" 16. "VI. Nimm die hin denn, diese Lieder" Die vier Temperamente bei dem Verlust der Geliebten, Op. 46 17. "I. Der Leichtmu"thige" 18. "II. Der Schwermu"thige" 19. "III. Der Liebewu"thige" 20. "IV. Der Gleichmu"thige" 21. "Ensamkeit, D. 620"
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Number of discs: |
2 |
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Robin Tritschler/ Malcolm Martineau |
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Description: | The creation of the Song Cycle as a new art form in the early 19th Century was paved with musical experiments and innovations. On this disc, Tritschler and Martineau illustrate the progress made by the great Lied composers of the day toward the cyclical perfection finally achieved by Beethoven and Schubert, and since emulated by Schumann, Loewe, Wolf, Fauré, Britten, Shostakovich and so many others.
A Song Cycle is distinguishable from a collection of songs or a Liederspiel by some type of interior cohesion: a unifying theme, text from a single source, a narrative; Tristchler and Martineau recieved critcal acclaim for their first record of songs released on Signum, No Exceptions. No Exemptions. It could be a musical connection: recurring devices and motifs, key relationships between songs, or perhaps a fixed performance order. Usually, a combination of these criteria is necessary to bestow on any song collection
the title of Song Cycle. - ROBIN TRITSCHLER/MALCOLM MARTINEAURobin Tritschler explores the origins of the Song Cycle. The creation of the Song Cycle as a new art form in the early 19th Century was paved with musical experiments and innovations. This album charts the progress made by the great Lied composers of the day toward the cyclical perfection finally achieved by Beethoven and Schubert, and since emulated by Schumann, Loewe, Wolf, Fauré, Britten, Shostakovich and so many others. Irish tenor Robin Tritschler graduated from the Royal Academy of Music and was a BBC New Generation Artist. He performed with the Welsh National Opera (Almaviva, Nemorino, Narraboth, Ferrando, Don Ottavio and Belmonte), Nantes Opera, Stadttheater Klagenfurt, La Monnaie Brussels and Teatro Colon Buenos Aires; in concert with the BBC Philharmonic, BBC Symphony and Scottish Chamber orchestras, London Philharmonic Orchestra (Jurowski, Nézet-Séguin and Stutzmann), Bournemouth Symphony Orchestra (Karabits), Hong Kong Philharmonic (de Waart) and at the BBC Proms (Sir Mark Elder). He performs regularly in recital at the Wigmore Hall, also appearing in Cologne, Amsterdam, Washington and for the Aldeburgh and Aix-en-Provence festivals. His recording of World War One songs on Signum with Malcolm Martineau is critically acclaimed. |
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Manufacturer No.: |
SIGCD587 |
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