| Comentarios / Titulos de las canciónes: |
01. "Tibet's Suzettes"
02. "Those Days Have Gone"
03. "Yesterday's Game"
04. "America"
05. "What You Need And What You Want"
06. "Chicama Way"
07. "Empty"
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 | | Cantidades: |
1 |
| | Informaciones adicionales: |
180gr. Vinyl |
| | Descripción: | Peru enjoyed a thriving and exciting music scene since the mid-1960s. Bands such as Los Saicos, Los Shain's, and Los York's, to name just a few, released a number of brilliant records that drove young fans crazy and set an example for many to follow. The end of the decade brought about an evolution in sound and new music genres, as Peruvian bands kept an eye on the groundbreaking British and US artists exploring baroque pop, psychedelic rock and early prog. One of them was Traffic Sound, founded in Lima in 1967. Over a very short period of time the band managed to successfully develop their career transcending their starting point, in which they'd simply record covers of artists such as Jimi Hendrix, Cream, or The Young Rascals, moving on to the more mature sound of their first LP with self-written songs, Virgin (1969), a masterpiece of Latin rock, and this second self-titled LP, released in 1970. Traffic Sound incorporates here complex arrangements and long song structures with which they approach prog music. However, the immediacy of songs like "Yesterday's Game", with a fierce and contagious guitar riff, or "Chicama Way", a terrific anthem, clear any possible doubt about the sound principles of the band: groovy rock. While tracks such as "Those Days Have Gone" or "America" show the friendliest yet psychedelic side of the group, "Tibet's Suzettes", the opening song of the album, simultaneously introduces all the ingredients of the Traffic Sound recipe: hypnotic rhythms, untamed guitars, and very skilled playing. Although some influences cannot be ignored, this second Traffic Sound album is huge and deserves to be considered one of the greatest recordings of it's time, even internationally, as essential as the most hailed works of Cream, Caravan, or Led Zeppelin that served as a bridge for rock music between the '60s and '70s. Presented in facsimile tri-fold sleeve and pressed on 180 gram vinyl., Runningtime: 00:00:00, : , Baritone Saxophone, Tenor Saxophone, Flute: Jean Pierre Magnet, Bass: Willy Thorne, Drums: Luis Nevares, Guitar [2a Guitarra]: Freddy Rizo Patrón, Lead Guitar: Willy Barclay, Vocals: Manuel Sanguinetti, Written-By: Traffic Sound, Acoustic Guitar: Freddy Rizo Patrón, Drums: Luis Nevares, Flute: Jean Pierre Magnet, Piano, Organ, Bass, Guitar: Willy Thorne, Vocals: Manuel Sanguinetti, Written-By: Traffic Sound, Baritone Saxophone, Tenor Saxophone, Percussion, Chorus: Jean Pierre Magnet, Bass: Willy Thorne, Drums: Luis Nevares, Guitar [2a Guitarra], Percussion, Chorus: Freddy Rizo Patrón, Lead Guitar: Willy Barclay, Piano: Otto De Rojas, Vocals, Percussion, Chorus: Manuel Sanguinetti, Written-By: Traffic Sound, Bass, Organ, Twelve-String Guitar [Acoustic]: Willy Thorne, Drums: Luis Nevares, Flute: Jean Pierre Magnet, Piano: Otto De Rojas, Vocals: Manuel Sanguinetti, Written-By: Traffic Sound, Acoustic Guitar: Freddy Rizo Patrón, Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Flute, Vibraphone, Percussion, Backing Vocals: Jean Pierre Magnet, Bass, Piano: Willy Thorne, Drums, Percussion: Luis Nevares, Lead Guitar: Willy Barclay, Vocals, Percussion: Manuel Sanguinetti, Written-By: Traffic Sound, Bass: Willy Thorne, Drums: Luis Nevares, Guitar, Chorus: Freddy Rizo Patrón, Lead Guitar: Willy Barclay, Trumpet, Saxophone, Flute, Quena, Percussion [Tumba], Chorus: Jean Pierre Magnet, Vocals, Percussion, Chorus: Manuel Sanguinetti, Written-By: Traffic Sound, Labelcode MUNS398.1 (MR 398) | | | N° de fabricante: |
00135788 |
| Seguridad del producto
Persona responsable para la UE:
375 Media GmbH
Schlachthofstraße 36A, 21079 Hamburg, DE
https://375media.com | |
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